REALITY?: Stress

Bad, bad two days spent waiting for phone calls when all I wanted to do was run down to Derby to do some research at Town Hall and to plant pansies on my mother’s grave on the fifth anniversary of her death.

By the time one of the phone calls came, the steam was coming out of my ears and the guy got exactly what he deserved to hear, all in calm but firm language that made it clear that four months with no positive direction taken and with a deadline looming again next week, I was ready to move on unless he did what he was being paid to do.

It’s strange, but it seems that even as I mellow with age, the extended limits of my patience are being tried in ways unthinkable back in–yes–the good old days.  People are just not as  conscious of responsibility to others and to their jobs as they used to be. There are damn few areas where people put into their job what they’re getting paid to do.  As the work ethic slides–and it’s not just the young folk, but the middle-aged have come to lower their standards to adjust–expectations goes down.

Except for those like me who can’t comprehend and so cannot accept it.

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LITERATURE: Kafka on the Shore – Style and Story

About a quarter of the way into the book, some thoughts on Murakami and his novel:

No pretty prose, stark imagery of detailed description rather than any use of simile or metaphor (although I reserve that for the cats that crop up), a bit wordy and plainly written.  It is interesting, well planned and easily read, but nothing so far has caught my attention as a wow factor.

The chapters alternate between the two stories of the boy Kafka who has run away from home and of the investigative report and subsequent tale of one boy who was indeed affected by the unconscious state that affected the sixteen children on that mushroom hunt in Japan during the war.  Nakata, now grown, is on state subsidy and is considered dumb, his job is finding lost cats because he can understand what cats say. 

There is a theme of the cats and the unconsciousness and loss of memory that has begun to tie in the stories; the boy Kafka has found himself waking in a strange place with blood on his shirt and not knowing what happened.  He seeks the help of a girl he met on the bus trip, and one chapter ends with his petting a cat.  We also find that "the boy called Crow" is a pretend friend, or a voice in his head. Both the boy and the man are alone in the world, and I do see them coming together eventually since Murakami seems to lead us onward towards that end.  One thing that struck me about Kafka is that even as he strikes out on his own, he is a creature of habit, meticulous in his personal care, seeking the routine of the gym or the library and the same diner for dinner in his freedom.  I’m not particularly sympathetic to him since he stole quite a sum of money from his wealthy father to make this break and he is rather free-spending as one would think a son of a money would be.

The intrigue of what happened to Nakata is the main interest in that story line, and of the other, the whereabouts and reasons for Kafka’s mother leaving and taking his sister but not him when he was a toddler.  Kafka is clearly seeking an answer to this question and not merely escaping from his father, so I am expecting that more will come of this that more fully develops his character.

The surrealism of Nakata’s conversations with cats is a welcome delight, though I’m wondering if there’s not something I’m missing in a metaphor here.

With some more active conflicts arising in Kafka’s tale, I should be back shortly with more insight. 

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REALITY?: Sunday

A drive down by the river gushing on its way through bends of wood.  The trees and bushes blushing with the thought of spring, pale shades of what they hope to be.  The willow lemon yellow, the maples pink, the lilacs baby green.  And some impatient with the nights burst forth with tears of petals.  White powderpuffs of chokecherry, yellow sprays of forsythia, pulsing purple buds of the magnolias.  And singing choruses of brightly flashing birds.

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LITERATURE: On The Road Again

It always makes me laugh to think what authors must think of how readers interpret their words. It used to bother me in fact to think that readers turned and twisted things around to make something out of nothing, or nothing from something meant. 

But of course, Barthes and a professor rid me of that silly notion that an author had any rights over what people want to make of his work.

So saying, there are three things from The Road that still play over in my head. 

The timeline:  It bothered me to think that after what, five or six years, the good people of earth would not have rebuilt it and worked together.  I’ve come to accept that this is not a world easily rebuilt.  Nothing will grow.  When the food ran out the good times were pretty much over.  Those left with still some shred of decency in their souls make do and move on.  The timeline then, is perhaps right on track; it would likely take that long to find that nothing works to make things better, and to go through the food supplies.  Even with my own normally well-stocked cellar (Shop Rite’s Can Can Sales) we’d likely last a year, maybe two at most without replenishment.

The "fire":  I thought at first that it was hope.  Maybe it’s faith instead.  But faith in whom?  Certainly not faith in mankind–that’s been proven to be unreliable at best, confirmation at its worst.  Faith in God then? There is a conversation between the man and an old traveler they come across that may give some insight.  Here, in random bits out of context:

The man: How would you know if you were the last man on earth? he said.

I don’t guess you would know it.  You’d just be it.

Nobody would know it.

It wouldn’t make any difference.  When you die it’s the same as if everybody else did too.

I guess God would know it.  (the man)

There is no God.

No?

There is no God and we are his prophets.  (p. 143)

There is another reference, but it seems to hint at indecision.  The man refers easily to God as existing: I guess God would know it.  Regardless of his doubts, it still rolls easily out of his thoughts and into his conversation.  The old man, both denial and confirmation in his statement:  There is no God and we are his prophets.  Completely contradictory within itself.

So faith may be the fire rather than hope.  And faith in God rather than man.  Although the man later refers to the boy as a god and sees a light about him.  Maybe the fire then is something else.

Maybe the fire is simply Goodness.

And third, Could people turn on each other like this?:  From what I’ve learned in my life, and what I’ve just lately accepted.  Absolutely.

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REALITY?: Back to the Backyard

Sat outside a moment in the dusk of an overcast spring evening.  Silent save for the peepers and so still without a wisp of breeze.  Turning green even as I watch it.   Peach blossoms pink and popping out along the slender branches.  So different than the scene this morning with the whoosh of feathers and a dozen different songs sung from each balcony of the church.  So different from McCarthy’s world and yet I tried to imagine it as dust and grey of ash with black arms of dead trees reaching out for help.

But there are hints of what The Road reveals; a squirrel that worries me because he climbs the pole and pokes his head into the bluebird box.  I’m thinking grease slathered on a wide ring around the bottom.  I give it up when I see the birds take care of him themself. 

He limps away.  Much like the few encountered on McCarthy’s Road.

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LITERATURE:Kafka on the Shore – Timelines

Easy reading so far; good thing, as the pages number 401. 

We open with a first person narrator, a 15 year-old boy who runs away from home.  His mother long dead, his older sister–where?, but it is his father whom he doesn’t get along with well.  He’s on a bus with money and supplies to start a new life someplace else.  A friend named Crow has advised him to be tough.  Is Crow real?

Chapter 2 switches to an earlier time, a teacher during the war.  Out on a field trip with sixteen children who see a silver something–a B-29?–and reach the peak of a rounded hill, go off into the woods for mushrooms and fall unconscious to the ground.  The teacher is alone.

Interesting.  How will the stories tie together? 

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WRITING: Of Heaven and Hell

Once God no longer is, it happens easier, to speak of Heaven and of Hell. As with the cat, the judge has gone away. 

A list begins to form of those in lieu of judgement we may judge ourselves, knowing only what we know and that our powers are useless in an empty place.

Three lawyers I would send–where once I could not think of any.  Three lawyers…and the man who made my office chair.

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LITERATURE: Next Up: Kafka on the Shore – Haruki Murakami

Kafka on the ShoreWell for one thing, in putting McCarthy back and in interfiling the recently purchased books one in the "M’s" wouldn’t fit.  That’s part of the reason that this is my next selection.

The main reason though is that I’ve been curious about Murakami since I first heard of him some time ago, and with one on the shelf and one on the To Buy List, I figured it’s a good choice. 

Also added Saramago and Kundera to my list of wanna reads from suggestions in the comments.  After doing a little research to see what they’d written and what were the themes, I selected one of each author and will hopefully have them on the shelves soon.

Need to get back into some of the learning books; the philosophy, history, foundational texts that I have here.  After Barthes, nothing should be too difficult.

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REALITY?: Hope

Well there you have it.  There ya go.  The day winds down from high wire tension to swirl into a mellow mood.  Acceptance of being good but only just and still not quite enough.  So tired.  The mist hangs in the air as if all by itself it turns the grass green.  Daffodils grow inches every day; the spurt of infancy and yet they’re old, so very old dressed in new wings.  I look behind me, but nothing’s there. 

Photos in the mail, a mother, father, three young girls.  Me riding on a camel.  In my father’s ’49 black Oldsmobile.  All just about gone now.  Where are they when I have proof here that they were?  Where has the camel gone?

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LITERATURE: Up Next?

Usually I have a book already selected as the next to read.  But a three-day book didn’t leave me much time for wandering.  Then too, it’s a reluctant parting from McCarthy and while I have a few others left of his to read, I save them as promises on the shelf.

Maybe a short story anthology, Munro or Taylor.  Or maybe something foreign like Ishiguro or Forster.  Old time, from Dickens or Austen.  Hemingway’s adventures, or Fitzgerald’s society of another era.

Or maybe just a spin of the wheel.

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LITERATURE: The Road – Some thoughts on theory

What is the inborn nature of man?

There’s a premise throughout the novel that pits hope against acceptance.  Even when hope fades, there is an acceptance that short of death, they must go onward. 

There’s also McCarthy’s usual good versus evil.  Here’s where I am conflicted.  If our basic instincts lead us by self-centered survival, lust rather than love, use rather than cooperation, than the people are returning to that instinctive way that had been reasoned and civilized out of us in order to form societies that work.

But what of the boy?  He knows what’s going on, has grown up in this world, and yet has a caring for others–something that’s not quite "dead" in the man either.  The child cries more easily for others than he does for his own plight.  This caused me some concern for his safety as well as set me to wondering why a child of this time and place would be so.  The answer, I believe, is that he was not raised among the roving murderers but instead by a loving father and mother who along with the lessons he needed to survive, taught him too the things that they remembered as important.  In this child, civilization has not quite hit bottom.  That’s likely why he must remain who he is, cautious, wary, knowing, and yet a civilized human being.

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LITERATURE: The Road – Finale

Oh, I’m sure I’ll have more to say as the story settles into my mind to raise questions of the sort we don’t like to think about.

There’s always a sadness to finishing a good book.  I wanted it to go on some more.  If it were a movie, then a sequel would be planned for the boy at age twenty.  He would’ve learned some way to make the machinery work.  Some way to plant seeds deep into the earth.  Some way to rebuild life.

McCarthy leaves a lot of what other writers and readers would consider vital information out of his stories.  Was the boy in fact born after the devastating event?  The woman was pregnant at the time.  What was the slow decline of mankind in the immediate aftermath?  Starvation, moving on to seek someplace where it wasn’t all dust, helping each other until that could no longer be done, the bad guys looting right from day one, and most of the good guys going bad.  But none of that is really important after all.

It could happen.  It could happen just as McCarthy lays it out.  So it’s something to consider–and maybe not much we can do much about. 

But it can’t be forgotten.

Okay.

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LITERATURE: The Road – Showing

I’m within twenty-five pages of finishing this book and it’d be done a lot sooner (though I think I’ve broken a record here, at least for close reading versus the good old days when I read a book in a day but didn’t learn much) if I didn’t have to jump up every few pages and share via a post:

If you don’t put down the knife and get away from the cart, the man said, I’m going to blow your brains out.  The thief looked at the child and what he saw was very sobering to him.  He laid the knife on top of the blankets and backed away and stood.  (p. 215)

Dear God, what has the journey done to this boy?

Now you see why McCarthy won the Pulitzer?

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LITERATURE: The Road – Again with the 4th Wall

(WARNING: Not only spoilers–as all my postings on lit may be, though my readings of past classics are not as threatening to the general populace as a recently published book such as this might be, but then again, who hasn’t read this book already?–but some rather blunt remarks about McCarthy’s inclusion of rather upsetting images for which those of us who love McCarthy have sworn acceptance.)

Nobody does dead babies like McCarthy.  If that seems a rough statement, just watch the news at night.  Not just Iraq or whatever current war with its visuals, but the boyfriend who didn’t think his girlfriend’s baby was just too cute to ever…well, you know.

What bothers me the most–and the whole scenario is meant to disturb–is that McCarthy let the boy walk right into it and the man and I let it happen!

The boy forgets to bring the gun and they must go back for it; the father tells him it’s not his fault, he should have been watching. The boy doesn’t shut off the gas valve on the stove and they run out of fuel; the father again accepts the blame and assures the boy it wasn’t his responsibility.  As the boy takes on more and more, sees worse and worse horror, we forget how fragile he really is.

We were supposed to be watching over him and I, for one, feel I’ve let him down horribly.  Lulled into the sense of seeing death and obvious signs of cannibalism, remembering that dog barking in the beginning pages, we let the kid–as does McCarthy because he sees the purpose to it–walk right up to that campfire.

As I see the real possibility of this world, I see as well how I might act in it.  That’s immersion.  That’s fear.

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LITERATURE: Library Book Sale

How depressing; only 7 new additions to my list, and a couple have already been read but so long ago that they’ll go in the "to be read" pile.

Angela’s Ashes – Frank McCourt, The English Patient – Michael Ondaattje, Swann’s Way – Proust (but just a small portion of it, I’m sure, judging by the relatively small size of it), Jane Eyre – Charlotte Bronte, The Brothers Karamazov – Fyodor Dostoyevsky, Lady Chatterley’s Lover – D. H. Lawrence, and The War of The Worlds – H. G. Wells.

The library ladies remembered me–of course I know a couple of them just being a townie myself.  One elderly woman said she remembered that I’m the one that brings a list. 

I didn’t tell her it was a seven-pager.

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