LITERATURE: A Portrait of the Artist as a Young Man – Imagery

Yes, Joyce’s novel isn’t the easy flow of reading, and yet it is because the words run as thoughts associated by links to one another.  This wouldn’t be called stream of consciousness writing as it isn’t in first person pov, but it does give a sense of character, his thoughts and fears and wants.  And, it is more articulately constructed than Faulkner’s Benjy.

This short excerpt is a fine example of it:

It would be lovely to sleep for one night in that cottage before the fire of smoking turf, in the dark lit by the fire, in the warm dark, breathing the smell of the peasants, air and rain and turf and corduroy.  But, O, the road there between the trees was dark!  You would be lost to the dark.  It made him afraid to think of how it was.  (p. 18)

Joyce feeds our senses of touch, sight and smell.  Inadvertently, we hear…the sound of nothing.

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NEW MEDIA: Writing by Art

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There are fourteen of them; pen and ink renderings of local barns done by a local artist.  The detail amazes me, intricacy reflecting both skill and patience.  When he came in, I’d asked him if he’d yet done the barn just down the hill here.  It’s falling down and in its collapse there still is beauty, strength in timbers just too tired to stand any longer.

I’ve talked him beyond his hesitation, his natural reticence as an artist.  I’m looking into ways to archivally reproduce them into prints for sale.  I’m going to help him set up a weblog.

His work will be on display at the Burlington Public Library this coming month.  The artist is Norman St. Peter, and he tells wonderful stories of barns.

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REALITY?: I Remember Mama

I recall one evening after dinner; I had come back into the kitchen to help clean up. My mother was standing at the sink washing dishes, humming very quietly to herself. In the overhead light, dozens of small bubbles sparkled in front of her; sometimes she looked up to watch them as they danced up and away.  She was smiling. She held a sponge in one hand, a small sieve in the other, swishing it lightly back and forth, up and down, slowly through the sudsy water and the little bubbles would pop up in clouds with each dip through.

I laughed.  She turned and grinned at me in childlike delight, totally unembarrassed. 

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REALITY: Cope and Rope

That’s just the way the day goes, I suppose; rises with the sun and sets flatter than the horizon into night. 

And in between, the good, the bad and the ugly:  found a place that will get the mirror with an inch and a half bevel for a special order; a ridiculous offer to buy that’s all one-sided; two lawyers who don’t understand just and fair.

I’m clinging to a rope that’s fraying at the topmost end and I’m not so quick at scampering as in days gone by.

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REALITY?: True Love & Willie!

Checked my e-mail to find a link from my husband to a Willie concert!  Now that’s love.

However, I love him enough not to spend $193 per ticket (that’s right on the floor up close and fairly personal) to see fantasy man.

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WRITING: One Good Novel In Me Yet?

I stand waiting at the Communion rail. The priest in his High Holy Day purple robe is moving slowly towards me up the line of faithful, offering the grail of Holy Eucharist and cup of blood red wine.  Behind him, moving in silent rhythm with his step, I see all those I have killed.

Okay, so the above really sucks but…

Feeling twitches of a novel, a story that needs more time and space than short form would allow.  A story that may be relevant, important enough to tell right now. 

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LITERATURE: A Portrait of the Artist as a Young Man

042506lThis is my choice for my next read, and I’m fourteen pages into it.  I’m just glad I’ve cut my teeth on Faulkner.

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LITERATURE: Animal Farm – Finale

As I  normally do after completing a particularly interesting or symbolic novel, I checked a bit more about Animal Farm and the Russian Revolution and find that it evidently follows reality quite closely in historical context.  Of course, Orwell has carefully selected his names, animals, and metaphors very carefully, and this reminds me somewhat of Voltaire’s Candide; political satire that must be powerful yet delicately hidden.

What I would then focus upon is the writing style.  It is straightforward to the point where the characters need be animals to add the only real color to the book (except for the Red perhaps).  There is no humor in it, except to elicit an exasperated humph! as the reader guesses what will happen as the paths take a destined direction and the signposts clearly seen by those who would understand the nature of man.  There are no surprises; this could be a story about any of sadly too many societies over the centuries.

In the end, a rebellion against unfair treatment of the animals by the humans went full circle as the pigs slowly fell prey to their own ambitions.  Orwell’s final statement is genius:

Twelve voices were shouting in anger, and they were all alike.  No question, now, what had happened to the faces of the pigs.  The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which ws which.  (p. 128)

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LITERATURE: Phaedo – Finale

So Socrates is dead.  What wisdom I gleaned about man’s immortal soul from this dialogue helps somewhat, in that Socrates’ belief in the life of the soul, the intellect of man as an everlasting existence can be reasoned out to a degree by the examples of opposites opposing their opposites.  It’s much too complicated to go into here, and I understand the basic premise and yes, it can be logically reasoned.  But is it right?

Plato is food for thought.  His words must be digested slowly and stored as energy in the brain, ready when called upon to apply to the questions that don’t ever really leave us but are often set aside to bubble and ferment into a smooth clarity of wine.

There was much in this essay that challenged my own thinking.  Especially at the end where Socrates describes an afterlife he could not possibly know.  Phaedo is, however, something I know I shall pick up again when wondering sets in.  And not just about the essence of a soul, but of the arguments presented that show a logical progression of thinking.

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REALITY? & LITERATURE: Making Sense

A mix of thoughts today inspired by Plato’s Socrates, Orwell’s animals, Willie, and the four-year anniversary of the death of my mother; nearly two since my dad’s.

Still sorting through Socrates’ pre-hemlock drinking discussion of the soul in Phaedo. He seems to lean towards reasoning through opposites and assorting by comparisons and contrasts to arrive at his conclusion.  Some good stuff here, and yet I read a bit and ponder for a while before I dare go forth in some state of comprehension, though I’m within the last dozen or so pages.  I’ve finished  Animal Farm, my feelings here are that it does not have the impact for the topic as it would have had back when it was first published.  Mainly because so much has happened in the world of literature that the intrigueing use of an animal society to illuminate not only a Communistic state but the natural tendencies and flaws of mankind is not as powerful a technique.  Not new, of course, as Aesop’s Fables were almost completely based on this.  But more on Animal Farm in a bit.

For me, as these readings come together with this mark of time, I feel again the helplessness I felt after my mother’s death.  It was shamefully beyond the missing of a loved parent, called into being by my father’s questioning of soul.  At the time I was studying Philosophy, and my final paper was titled "Lying to the Dying."  It reflected things I’d told my mother in the hour before she died–whether she could understand me or not–about death.  I told her what I thought she’d need or want to hear.

But after that was worse; my dad’s suddenly voiced concern.  It’s strange, out of the three of us, I was the child who stopped attending church, and yet both parents somehow knew or maybe hoped that I had found a different yet just as firm belief in some God and life hereafter.  What could I tell my father that he could understand without the struggles that I go through now?  He wanted to hear that mom was waiting for him (he said he’d seen her, which drove me nearly insane with curiousity and interest).  Yet I didn’t believe she was.  That is, that she was waiting somewhere up in Heaven waiting for him to join her, even after maybe a brief stint in Catholic Purgatory.  I figured after a certain period of time she was reborn somewhere.  This was not what I told him.  It’s not what I’m ever going to be sure of in this lifetime.  I told him what he wanted me to tell him.

And now, four years later I still wonder:  If she’s not up there somewhere sitting on a cloud hand in hand now with my dad, where is she?  There’d be no purpose to it if they simply stopped being.  Now you see why I didn’t get into a big discussion on the theory of the soul with my father, who was ninety at the time. 

I’m still seeking an answer.

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REALITY?: Buy ‘Merican

So here’s what’s gotten my knickers in a twist this morning:  As I was ironing, I noticed a label on one of Jim’s shirts, "Alex Cannon – Rowayton, CT" and this made me smile.  Then I noticed a much smaller label with the size, etc. and flipped it over to read, "Made in India." This bothered me for two days until I broke down and went through all the shirts in his closet, stopped at one hundred to get a nice percentage (and before everyone gasps at the number, he has probably a total of maybe one-thirty, all of them bought by me in the last sixteen to seventeen [we lived together a year and a half before we got married–ohmigod!] years and a good deal of them are that old), checked the labels as to where they were made and found this:

19  India
14  USA
10  Taiwan
7  Malaysia
5  Hong Kong
5  China 
4 each  Honduras, Canada, Thailand,
3 each  Singapore, Costa Rica, Korea, Mauritius, Guatemala
2 each  Sri Lanka, Indonesia, Egypt
1 each  Portugal, United Arab Emerites, El Salvado, Cambodia, Mariana Islands, Jamaica, Philipines

As we worry for America’s future being affected by illegal immigration, unemployment, inflation, and turn our backs on corporate greed (although being a semi-capitalist pig, I do understand the bottom line of profit and need to keep down costs, including the high cost of labor–such as it is), I can’t help but see a rising problem here and am sorely tempted to turn my own back on it because there’s nothing I can do.  But this is something that our kids (I have none) and theirs are going to have to deal with as times here get even tougher for manufacturing jobs as well as corporate white collar workers.  I may go through my own closet which holds about 200 shirts and blouses (I’ve had a lot longer practice of holding on to my own clothes; some may be 30-plus years’ old) and see if I can find a change happening over time; if there was a day when Americans bought what Americans produced here in America.

(NOTE:  When I could afford to have his work shirts and slacks drycleaned, the lady told me that he has the nicest shirts in Burlington.  They’re mostly plaid, like mine.)

Now when I started using computers I used to defend even the most difficult to understand service technician because they knew what they were talking about and were most helpful and courteous.  But then, I was under the impression that I was speaking with someone who was talking on a phone planted somewhere in the United States.  I no longer even bother calling for help without first exhausting all resources: my own bit of experience, my computer geek friends, a pile of books and next to last, Microsoft’s "Help" button.

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REALITY?: Willie

So I fell asleep on the couch watching the early news and woke up to the late news. Read a bit and decided to go to bed but then wait…remembered that Willie is on Dave Letterman tonight.  Have to watch, even knowing that he’s usually on last and only sings one song (oooh, just saw that a new CD is out! Guess I’ll meander over to amazon.com.).  The first thing I do is turn the tv volume way down; I absolutely hate the opening of the show with the loud music.  Then I need to sit through some Bush-bashing and whatever guest is on for the hour.

But tonight, good news.  Ray Romano is the guest, and I do love him too.

UPDATE:  Oh poo; once again, he’s been left to the last five minutes.  But ahah!  Do I note that his wedding ring is missing?

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LITERATURE: Animal Farm

Perhaps it is because I have not studied Communism and do not well know its history, though I would accept that Orwell’s novel is a sad satire of this political state, as evidenced by the "comrade" designation that the animals have chosen as their sign of equality.

However, I see the building of the pyramids of Egypt by slave labor in the building of the windmill, though it is meant to be a help to labor when it is completed, it is similar in the toil and moving of the stones for its foundation, and in effect, will show the humans and animals at the neighboring farms the great abilities of Animal Farm and its residents, and of course, it will be a monument to its leader.

I see the Salem witchhunts, as much as European rebellion against state in the blaming of the ousted Snowball for all the problems that beset the farm, and in the confessions of complicity that result in their immediate executions that brings to mind the Inquisition. 

This is a story that is repeated over and over again throughout history.  Rebellion that comes full circle back to its roots.

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BLOGGING: Comment Authentication

Goodness me, I just answered someone’s comment here and had to type in that annoying verification thingie.  I don’t remember setting that up and it just sprung up overnight on me.  I’ll see what I can do about it; I personally hate it on weblogs and don’t feel the need yet to require it here.

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REALITY?: Sunday Sermon

Sitting on the couch/pew, listening/reading to the wisdom put forth by the priest/preacher/weblog writer on this rainy Sunday morning.  Today’s sermon touches beautifully well on the congregation’s/blogging community’s daily thoughts:

You Suck.  But Enough About You

Danny Gregory says what we’ve all been thinking/whining about over the last few years; why we write and why we need readers; how we converse with others and what we hear:

Creative people care so very much what others think of them. They ask, "Is it any good?" and then wait not just for what you say but for how you say it. It’s not enough to be effusive in your praise.
Put simply: no one is nearly as interested in what you do as you are. No one is judging it as hard as you, or analysing it, or wondering about it. The only time they really get involved is when your success or failure could effect them.
And because we are all, at best, living in our own self-reflecting bubbles, you should relax and do what you want.
I doubt that the majority of us who have threatened or actually gone ahead and given up our weblogs do so for other than the reason of feeling that no one is listening, or not enough people, or people who have stopped visiting.  With Bloglines or any such RSS feed it is not always apparent when checking stats to know how many "hits" we’re getting, but we still watch them; we care that much.  I do try as often as possible to leave comments to let folks know that they’re appreciated; but I do admit that often I fall into the "me too" category of response that Danny suggests is the conversation that people have with  each other these days both face-to-face and in writing.
With any luck, I’ll carry his words to heart outside the walls of the Church of Life and remember them on Monday, Tuesday, Wednesday…
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