NEW MEDIA: 100 DAYS Teaser

I’ve put together a hypertext piece connecting the artists to each other and to their websites as:

A Taste of Summer

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LITERATURE: Chekhov’s Women

A rather strange little story, I’m not really sure I got the point of it.

Two older men are sitting and talking and we see some strange men and some women who have married them–mostly unwillingly–or we see women who have married the wrong men and loved another.

“When Sophia was almost asleep Varvara pressed against her and whispered in her ear–

“Let us murder Diudya and Aliosha!”

Sophia shuddered and said nothing at first. After a moment she opened her eyes and looked steadfastly at the sky. (p. 104)

They each consider this horrific deed for a while, then decide that they cannot follow through. Worse, they make excuses to each other for even thinking the thought. And life goes on.

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EDUCATION: Literature and Writing for the Youngsters

Stumbled across this site called “Interactives, Elements of a Story” that may be a very useful tool for teachers to reach students via the internet in helping them learn about, for one thing, the elements of a story as in this case. It is an interactive site that offers visuals, audio to tell the story of Cinderella, then includes the assistance of further explanation of the elements, i.e, setting, and a checkup quiz.

But wait, there’s more; the site also offers similar interactives on Math, History, Science and Cinema.

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REALITY?: Another Car Radio Memory

Sitting in the bathtub with the drummer on a late Saturday morning. Chicago on the radio, my Japanese flag curtains covering the windows to the downtown world below. Toes playing fingers, washing off remnants of love. Suddenly sirens and eyes searching eyes. Picking through bubbles for last spoken words. Then silence except for the drummer and the drummer picks up his beat.

It was only the noon whistle, he says. But the moment of the end was beginning.

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WRITING and HYPERTEXT: Some Form Differences

Been doing some short–8 to 10 lexias–hypertext stories and while much of the basic elements of writing are of course the same, some things to point out the differences.

In hypertext, there is a movement between segments of reading that in some cases might simulate turning a page. There’s one quirk however in hypertext; one normally will, after reading a writing space, will finish by looking at the entire space as a whole, as an image. Whether looking for links or just as a finished area, the space being smaller than a page, we look at it as something that we will be leaving behind, knowing the nature of hypertext is to move forward. But isn’t that what we do with a page of a book as well? We have no intention of rereading a page again, yet don’t have the same feeling of leaving it in the past. Is it the physical property of a paper page then that dispels that reluctance to leave it behind?

There’s another thing I’ve noticed–and much of this I’ve previously covered in a presentation on how hypertext changes the writer–and that is the relative freedom the need for concise sentences proposes to the writer. Can restriction offer freedom? Yes, in that it eliminates much of the unnecessary detailing of movement and environment that we try to keep out of all of our writing. In a post today, Steve Ersinghaus notes how his attention is drawn to the best use of each word and sentence and element to force them into doing double duty.

Likewise, in White Dwarf, conflict is “suggested” or “restricted” by dialogue, the source of which the reader can infer.

“Look how the water explodes from the sole’s of his sneakers after he walks through puddles on stormy days. They needed four grown men to pull him from the concrete he stepped into. The ferry rides low, you know the work day’s done.”

In this section, I was trying to get a large amount of data to the reader with as little narrative insulation as possible, using dialogue as the sole device of carrier of conflict, character, and time.

Each writing is an experience and yet there is so much more to learn.

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REALITY?: When One Thing Leads to Another

Had been meaning to make new drapes for the living room for a long time, and now that I’ve finished them, I’m not nuts about my choice of fabric and wish I’d waited to coordinate it with the rest of the needed work, like two couch reupholsterings. But it’s done for now–for summer, at least–and I’ll likely make new window treatments (and likely for new windows) by fall.

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WRITING & HYPERTEXT: 100 Days Project

Back in March I mentioned that I would be taking part in a group project over the summer whereby a number of artists, writers, coders, photographers, musicians, etc. would each be producing a piece of work on a daily basis for 100 days starting May 22nd, 2009. I had done some experimental pieces, then tried to make the move from Storyspace to Tinderbox as the program to write in and then also learned some css and such to make the move from Typepad here to WordPress and figure out how to export the hypertext to work here (at my Hypercompendia site) and in some fancy schmancy colors as well.

Since then, I got interested in a few more projects and tried to meet deadlines for submitting short stories and plan out some rewriting of the old, some starting basics for the new. When May 22nd came along, I found myself in a real blue funk of self-doubt and didn’t feel ready to step up and join the talent that was forming itself into a collage of creativity. I made a last push to create a few hypertext stories as the project got started just as practice to follow along. Seeing that hypertext was not represented in the the project, I’ve decided to rejoin and was accepted into a very energetic and eclectic group of ambitious and talented workers.

Each individual produces his or her work on an individual website, but a central point has been established by the instigator of the project, Steve Ersinghaus, at 100 Days: Summer 2009 (linked also at the top right of this page) that links to all the separate sites by their feeds. I’m currently using Hypercompendia as a point of entry since it seemed that the relativity of the hypertext medium didn’t warrant the extra work of creating a separate weblog at this point, and also have a separate page for the hypertexts at Hypertext under a Flash Fiction page.

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REALITY?: Belated Happy Tarot Day!

Tarot cards hold a mystery that appeals to the creative mind, and Barbara over at the Shrinking Violet has posted an extremely interesting and enlightening entry loaded with links for the interested and the curious: World Tarot Day

Must admit that I’ve read books, visited ‘seers’, played with the Ouija board, and as a skeptic wanting to know the truth, have spent a good part of my life pursuing all the phenomenon of the unexplainable. It’s a lot more exciting and stimulating to artistic energy when truth is just out of reach.

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REALITY?: A Day of Leisurely work

Finishing up the living room curtains, the hardest part–the valance–already done and waiting for a final ironing and hanging. Tried to make up my mind by today’s end of sale to buy couch covering material but just couldn’t decide which of three was best when I couldn’t see the true colors and feel the actual fabric weight online.

We had a visit from Jim’s brother and his son, zooming in on a Harley and a Suzuki respectively; was sort of hoping for an offer of a ride but they were in a rush since nephew John had to get back to the City tonight to start in on tomorrow’s work.

Took a bit of a walk around the backyard shooting some arrows at ‘spots’ like leaves and bright yellow dandelions. I haven’t shot my bow in quite a while and surprised myself with a certain accuracy (I shoot instinctive–no sights) though the wimpy forty-pound bow took it’s toll a lot sooner than I expected. I’ve been known to shoot a few arrows out of a seventy-pound longbow (and caused a few gents’ jaws to drop in awe) but haven’t exercised the precise muscles needed to pull a bow lately.

On the literary side, I wrote a bit and read a lot less than that. There’s time. There’s time.

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HYPERTEXT and WRITING: A Constant Learning Process

Haven’t gotten much reading time in, but I have been writing, both straight text and hypertext. I’ve finally overcome my fear of Tinderbox–not that it’s at all a difficult program to learn, but rather that my assurance of comfort within Storyspace stood as a discouragement to learning something different when I was looking to do no more than what Storyspace already handled for me.

Been trying to read more poetry to get me in the frame of mind for brevity and sharper imagery, and some more contemporary stories online to get me up to speed with the trendy language of today’s writers. I need this for all my writing, but even more particularly when writing hypertext short shorts that need be almost self-contained stories within each lexia. I’m slowly getting back into the swing of things and have been learning more about the hypertext form and purpose as well. Still not great at it, but then my straight text isn’t all that hot either.

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CURRENT AFFAIRS: It also takes smarts and skill

…to work outside the now standard box of technology. In today’s New York Times, an interesting and enlightening article on “The Case for Working With Your Hands.

The Princeton economist Alan Blinder argues that the crucial distinction in the emerging labor market is not between those with more or less education, but between those whose services can be delivered over a wire and those who must do their work in person or on site. The latter will find their livelihoods more secure against outsourcing to distant countries. As Blinder puts it, “You can’t hammer a nail over the Internet.” Nor can the Indians fix your car. Because they are in India.

Thanks to Time Goes By for the link.

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WRITING: Writing the Real

With the birth of the weblogs came a whole new generation of writers who may have that novel within them or may never entertain the idea, but we are the better for their gifts of sharing and Roberta at Elusive Abstractions is one of those gifted writers I regularly read.

You need to read the whole post, but the gist of it is a husband-wife thing and the wanting to offer support while stymied by new behavior, and the ultimate challenge overcome by the closeness of two human beings. This makes it sound dramatic and serious, but it’s not; it’s a wonderfully funny slice of married life:

And so, for these reasons, I am immediately alert, when Hub says to me at the breakfast table this morning, “Do you know the words to this song?”

I perk up my ears and wait for him to hum a bit of the melody, but all I hear coming from his side of the table is a deep muffled rumble like a slipper tumbling in a clothes dryer. His lips are ever so slightly parted in a duplication of Mona-Lisa’s famous smile, and I can tell he is deeply concentrating while exhaling a soft sound, so I go to his side of the table and bend over and listen. An uncommon thing for me to do, because normally Hub talks and sings, so very loud.”

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CURRENT AFFAIRS: Viagra Scientist Dead at Age 92

I wonder if they waited four hours before calling a M.E.?

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BLOGGING: Spam That Am

It’s getting so I’m beginning to welcome spam in comments. Except the Russian and the falsely complimentary that raise your hopes for the flash of moment that somebody actually cares.

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REALITY?: Small Towns and Good People

Lazy day with a little of this and a little of that, catching up and getting ahead with spring cleaning, sewing, paperwork, shop business, yardwork and still managing to read a little, write a little, and stick in a dental appointment.

Didn’t realize how low the winter laid me, then the last couple weeks made it impossible to do more than hang onto my head so my brains wouldn’t spill. At the dentist’s, the receptionist said that when I went in two weeks ago I looked like I’d been in a car accident. And the Fedex driver who let me in ahead of him at the parking lot asked me how I liked my Mac–he remembered that he’d delivered it a year and a half ago and how excited I’d been.

Our town is rather rural, yet more populated than it was twenty years ago when we moved in. I can’t imagine living in a big city where you’re only a number on a door and one of millions and yet, I would think that if there are still caring people around, a neighborhood can be a small town.

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