WRITING: What and When and Why

Noticed the obvious outpouring of poetic reaction of late–and especially today–and decided to recategorize my dabblings into another category of POETRY rather than STORIES. Tedious, but I have found that categorization is one of the blessings of the mind of mankind. Or, more likely of woman-kind.

Though it’s my poems that have been published rather than any of the many short stories I’ve written over the years, I found myself taking 53 posts from the 148 originally marked as “stories” to place into this new category. The ones that remained are not all stories–some starts, many one-liners and paragraphs, some serialization of whole stories, but it was a shock to me that I had actually written so many poems. Most of them are just quick thoughts, like today’s, and have never really been edited once much less over and over the way I do with the fiction.

And like with the stories, I can’t place myself as the author in many of them and wonder where in my mind they had lived before sneaking out onto the keyboard and from thence out into internet space. Some, more so than with story, are obvious relatives to the moments or people I knew. Most aren’t.

One good thing that came of this–or maybe a couple–is that I notice a trend of poetry leading to some of the best stories I’ve written. For another, I seem to have some great openings of stories that I’ve long since forgotten and found only by going through this little exercise of recategorization. Maybe this will all spur on the forces just as the classes or meetings or readings have struck the match before this.

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POETRY: Alzheimer’s III

I count the years again
on fingers she can cling to
and tell her, though
the answer is the same
it was an empty space
of time ago.

She asks about
the children
“Whose?” I ask
“I don’t know,” she says
So like an echo I repeat
her children’s names.

My name, my sisters’
my dad’s;
children, husband that
she’s forgotten and I cry
for too soon she’ll forget
to breathe.

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POETRY: Inspiration

aka “Who put a quarter in the machine?”

Hush! Wait,
did a poet just die?
slipping into my soul
ink bleeding on paper
as a last chance attempt
to sing?

Does the Muse
who handles
mishandling of words
shake in despair
and cry to the Gods
at this thief?

What then
the reason
the
sorting
of sounds
the
the
inspiration.

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POETRY: Clues

Okay, away from the serious to a lighter streak of concept:

Stumbling around in a dream, I
picked up a key with no door
and walked on no path
marked with a red-dotted line
with cloud wisps wrapped
around my ankles

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EDUCATION & REALITY?: In a New Age

Lisa’s comment on Facebook this morning catches me cold:

Instantaneous access to information appears to be eroding our ability to thoughtfully reflect.

And it makes me stop and think. And try to form an opinion by experience. When I read, for example, I avoid going online (unless absolutely necessary, like with your first Faulkner) to seek help in understanding a book. Obviously I wouldn’t be running to the library to do this in pre-internet days but that’s not why I’m avoiding assistance; I want to be untainted by other interpretations and to see it based on my own experience of life, other readings, etc. But the thing is, is that I could indeed find anything I needed within minutes and get a whole slew of opinions and insight and angles that would help form my own take on things.

Steve points out another potential problem of technology referred to in an article by Kevin Kelly as they explore the nature of the beast and weigh the arguments against with some unfounded probabilities and very viable benefits. As Steve notes, there is a dearth of agreed-upon definition in trying to assess its impact. And the scale is tipped often merely by preference or what is given up in acceptance of replacement. Would you rather drive a Ferrarri or get there by horseback? On the other hand, your Ferrarri, no matter how shiny and red, doesn’t nuzzle you looking for sugar or run with mane flying across open fields.

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POETRY: Alzheimer’s II

“Well goodbye,” she says
standing there in front of her house
in a gay red wool coat, her handbag in hand,
an open smile on her face

I glance at my dad, caught by the pain
in his eyes that is louder than my reply
“Mom, you’re coming too,”
we all laugh, we all hurt, except her

“Okay,” she says, oblivious to
the machination of the dynamics
of the interaction and cogs changing gear
in a family lost in her mind.

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POETRY: Alzheimer’s I

Geese sing as they fly or maybe
it’s just conversation
in lyrical beat to the rhythm of
wings slipping through sky

Trees grow tall overnight or is it
the time between branches
that fork and sprout out in prickly fir
needles like the ones in her mind

She stepped onto her porch or perhaps
her mother’s–it could be–and bent down
to pick up the present–or maybe the past–
in the pieces of a shattered white rose

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REALITY?: Seeing the World ‘From Both Sides Now’*

On Talking Philosophy, an excellent example of working logically through a problem by seeing all the angles, in this case, on airline seating for the obese passenger that is currently under consideration.

*Sorry for the ‘retrotalk’, this is a phrase from a Judy Collins’ song, Clouds.

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EDUCATION: Dumb and Dumber

Volleyball team going to court after filing a lawsuit against the college for cutting the sport? Equal Opportunity? Only reason they came to Quinnipiac College? For crying out loud, don’t these kids know that there’s an economic crisis going on? Why don’t they stay, maybe apply themselves to book-larnin’ instead, and then go out and compete for jobs some day. I sure hope their parents are paying for at least their side of the court costs and legal fees.

Look, I sympathize with what must be a very, very disappointing decision (almost kind of like, you know, losing your job or your house or stuff) but we all are making sacrifices–or an awful lot of us are. Meanwhile, we made it without the major baseball league playing and I think we can survive a year without QU volleyball.

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LITERATURE: Books, books and more books

Revvin up for next week’s local library book sale. Though at the rate I’m going with Ishiguro, I likely have enough to last me the rest of my life.

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LITERATURE: The Unconsoled – Technique

There’s something that Ishiguro does in this novel that’s either brilliant or terribly annoying. While it likely comes under the category of changing point of view–to first person omniscient no less–it is in keeping with the surreal plotting of events that this book is based upon. In other words, it’s in keeping with the dream-like quality of the story rather than following reality to any degree.

Here’s an example:

I could hear Pedro struggling to gain a few paces. Then I heard him shout:

‘I said, we seem to have got the shit convinced. I think he’s going to go along with it.’

‘Well,’ the journalist shouted back, ‘he’s co-operated so far, but you can never take these types for granted. So keep up the flattery. He’s come this far up and he seems quite happy about it. But then I don’t think the fool even knows the significance of the building.’   (p. 180)

The ‘fool’ they’re speaking of, of course, is Mr. Ryder, our narrator who’s going with the journalist and photographer for a quick interview.  The funniest part is that the narrator, in relating this, remains oblivious to the fact of his hearing this private conversation.

Now the first time it was kind of fun and wow and all that; coming up again it’s admittedly tiring, particularly since we don’t know what purpose this serves, whether it is to reiterate the fact that Ishiguro is not sticking to reality of time and place (and that’s unnecessary since we already know something’s different about this story) or to flaunt the elements of style and tradition or for some other reason. And it’s that ‘some other reason’ that probably irks me more than anything. Throughout this story I’ve had the feeling that I’m missing the point, or missing a page or whatever that keeps me outside of the story.

The characters are not sympathetic–or rather, I am not sympathetic to them since they too become unreal and besides, they’re all doing such strange stuff. Ryder has just walked off and left his young son in a cafe somewhere, promising to get right back to him and then all these other people show up and he willingly goes off in other directions.

Something else weird too; and again, it bothers me more because there may or may not be a good reason for it: the single quotation mark rather than normal quotes for dialogue. Is that just an artistic quirk or is it more proper than any other first person novel in that it is indeed, a retelling of story by the narrator.  — okay, I just checked the first page and if the latter were the case, then the double quotes should be at the opening sentence and it’s not.

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EDUCATION: Dumbing Down to Make ’em Smarter?

I really, really need to stop reading the news. This, from the White House Blog on making college more attainable:

The fact that well over one million students who could qualify for aid went without it during the 2003-2004 school year is one indication that the application process is too complicated. Furthermore, students who do not apply for aid due to the complexity of the process may be discouraged from applying to college at all, reducing college attendance rates. As a result, the complicated process works at cross-purposes with our goal of increasing college attendance and completion. Experts widely agree that the system is in need of change. There are two broad strategies to simplify the financial aid application process that are currently under discussion.
One strategy is to make it easier to complete the current form. For example, according to The Institute for College Access and Success (TICAS), about two-thirds of the questions on income and assets that are included in the FAFSA form can be automatically answered using IRS data. This means that the U.S. Department of Education could obtain this information directly from the IRS, and the student or family would only be required to answer the remaining questions.

Uh, I know that some of these forms are a bitch, but they are do-able. Perhaps college isn’t the answer for everybody? Maybe being able to fill out the application can be used as part of the entrance exam?

Well we’ll have tons of graduates if that’s what they’re after; pay more government employees to fill the applications out ’cause they’re too hard, make sure that every student can comprehend and pass through four years to graduate (tough break for English teachers who will have to learn to adjust their expectations of reading and writing from students) and let’s pay for the whole kit and kaboodle too. Yeah, we’ll have a higher rate than those other countries once more. But what quality of graduate are we shoving out there?

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REALITY?: Hope Vicarious

By now everyone has heard–and maybe cried along like me–the voice and video of Susan Boyle who struck the audience dumb when she started singing on the British version of America’s Got Talent.

It was the voice, sure, but more, it was the hope that springs forth in us ugly ducklings that some day our true value will be acknowledged, our talents seen and listened to despite our plain facades. And in our hearts that voice that more than ever rises up, You go, girl! as we cheer on one of our own.

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POETRY & LITERATURE: Poetry is not always Poetry

What better time to warn the unwary wannabe poet than during National Poetry Month and from Writer Beware we get the following semi-good news:

Until very recently, www.Poetry.com was the Internet home of the infamous International Library of Poetry (ILP), the nation’s premier (and I use that adjective with irony) vanity poetry anthologizer. But in early March, the Poetry.com domain was purchased by self-publishing service Lulu.

The good news is that Poetry.com has gone under and so will not be available to take advantage of any more writers; the semi-good news is that no one is quite sure yet that Lulu will keep higher standards.

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REALITY?: Dilbert

Dilbert makes me laugh…and think:

041709

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