LITERATURE: The Old ForestA Long Fourth

Just read this in this Taylor short story:

Now the sight of Son and Ann in this pretty frame only reminded her of their unnatural and strange relationship.  They were walking far apart and Ann was speaking with deliberation and gesturing as she spoke.  But apparently at the first glimpse of Harriet, Ann broke off speaking.  And Harriet perceived in an instant that there was at least a trouble of some kind in their relationship.  She recollected now that though Son had not been talking he had been shaking his head from side to side as though in exasperation.  (p. 220)

And even as I begin to wonder what is being discussed between them, what the mother sees that she describes as trouble, I realize that with Taylor’s writing, it’s very likely that I will not find out.  It is the characters and how they react to each other that matter, not necessarily cause, but rather, effect.

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LITERATURE: Naked Lunch First Thoughts

Well I got through Burroughs’ Deposition somehow.  For me it was just another ridiculous rant from people who’ve fought for rights and freedoms and then turn around and abuse them and both blame the government for the problem and exhort the government to do something because it’s not the individual, but society’s fault for ___________(fill in the blank).

Okay, I still can admire the guy for having the balls to produce a book about his own personal failings, in this case, drug addiction.  And admire as much the publisher for doing his job.  Now on to the ‘novel’ (quote used since like many novelists, the book is more non-fiction than not).

As for the story, I must say I’m glad I’ve already been through Burgess’ Clockwork Orange to get into the swing of the language a little bit quicker.

This hasn’t thrilled or excited me so far, but I’ll give it a few more pages to hook me.

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WRITING: Small Change

Oil the focus of a brief conversation
slips into a dream that night
of a one-legged black man in Pittsburgh
still swinging on crutches like a pendulum
through the slick surface of day

Why didn’t I dig deeper than a handful
of change, quarters and copper and dimes?
Even once, stop for a moment
and pull out wrinkled green paper or
simply ask him his name?

What makes memory fly like the swallow
and silverflash upstream with the salmon
what makes me want to return back
to Pittsburgh and talk to an old man
before the cold winter winds come home?

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LITERATURE & NEW MEDIA: Character Driven Film

I watched a couple of movies last night while I was reading (habit from childhood): Hellboy, in prep for seeing Hellboy 2 some day, and War of the Worlds–the 2005 version.

As I watched WotW, I recalled the original version from 1953 (which no, I didn’t see in 1953, but years later on tv when I was hooked on watching Saturday afternoon horror movies, eventually Elvira’s program).  My memory on the original is a bit cloudy, but the sense I was developing from the new version was that it was more focused on the characters rather than on action.  The plot’s the same, alien invasion and a father’s protection of his kids (beautiful woman/1953) by hiding out in a demolished cellar.  The aliens are of course a bit more believable and a bit more mechanical through new media methods of production.  But while the 1953 version has a lot of folks running around screaming and a more active movement, the 2005 version seems to zoom in on tears welling up in the eyes of Tom Cruise or closeups of him hugging his daughter.

In the old movies, fear on a character’s face was just a step above the original silent movie style of registering overly dramatic responses since words could not project the story, aside from an occasional insertion of text.  The advent of sound increased comprehension by a lot of screams and noise and background music that specifically enhanced the action by building tension with louder or more ominous sounding notes and of course, by the dialogue between the characters.

It’s an interesting evolution in entertainment, where we’re geared to watch the twitch of a Cruise eyebrow to know how to respond.

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LITERATURE: The Old ForestThe Little Cousins

This was good.  A young boy as first person narrator describes his rather spoiled life with his older sister, widowed father, and housekeeper as he and his sister manipulate the adults.  He is aware of his own flaws and in particular points them out in his sister as she tries to live up to the image of an older girl she envies and admires.  There is that Taylor knack of saying one thing and yet giving the reader an impression of something very different.  We wonder if the boy, in seeing what his sister is doing, is going to break away from the stereotypical rich kid and yet each of them surprise us with what they end up doing at a time when they have a chance to change.

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LITERATURE: The Old ForestAllegiance

This story in the anthology was not particularly a favorite, although I suspect that the subtlety of characterization is outstanding. 

Again, first person pov, the narrator being a young serviceman visiting an old aunt who has been kept out of his family’s life because of some perceived injustice she’s committed against her sister, his mother.

Most likely this story is the high point of characterization and yet somehow I think I’ve missed it.

There is a wealth of information in their meeting, in the narrator’s view and interaction with his aunt.  But the conversation continues one-sided on the part of the aunt, the narrator acknowledging nods and such, that is somewhat disconcerting.  While it does not intrude upon the gradual change of opinion of the narrator, it does lack some freedom for the reader to decide the antagonist’s actions and character for himself.

Another point that may detract from the story is that the issue between the sisters that started the cold war has been built up enough to remain as an anticipated disclosure and there is the disappointment that it never becomes known to the reader.  Then again, it could be about anything, and Taylor may have intended to relay that point as well. I find myself torn between wanting to know and knowing that it is really not important to the story at all.

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WRITING: Reverence

I would choose
the subtle tortoise

marijuana
over the speed of

hare
if there were a God

other than

Time

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REALITY?: Into the 21st Century

The old furnace obviously needed to be replaced and the price of oil justifies the immediate expense.

But the new one’s starting to look like something out of a space station…

080808r2

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WRITING: Mood Set

A white sheet of paper sky
black silhouette trees
the sun has left and taken all the color
away

A day of pondering and decision
a leaf turned to the wind
either or, no weather and no whether
today

080808r3

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REALITY?: Discrimination

And the sign said long haired freaky people need
not apply

So I tucked my hair up under my hat and I went
in to ask him why

He said you look like a fine upstanding young
man, I think you’ll do

So I took off my hat I said imagine that, huh,
me working for you

                                            (© 1970, 2002 Five Man Electrical Band)

Never wanted to land a job mainly because I was a woman.  Don’t want to lose one now because of age bias either.  The above lyrics were part of the movement years ago fighting discrimination based on appearance and I wish it were so easy now to tuck the wrinkles "up under my hat" just to make sure that I’m not getting a job because I’m not qualified for it, rather than any other reason.

I tend to discount any allegations of age discrimination with the same attitude I took decades ago towards sex discrimination; if you’re good, they’ll want you regardless.  But I’m hearing more horror stories and whispers that it’s difficult to ignore some of the signs.  A young girl, likely a teen student herself, without a word takes my application and nods that she’ll give it to the proper party.  Why do I doubt it?  Why did the giggles I heard as I walked away make me wary?

Somehow I’d still rather believe it’s my ineptitude that keeps me out of the running.  If I thought otherwise, I’d likely be tempted to test the system and I really would rather not know.

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LITERATURE: Next Up: Naked Lunch

This 1959 novel of human nature and addiction by William S. Burroughs should be a nice counterbalance to Peter Taylor’s perception of mankind.

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LITERATURE: Black Swan Green – Finale

This is one book that I can describe as having grown on me.  I was not overwhelmed with it after the first couple of chapters and its subtle advance of plot and character snuck up as Jason, over the course of a year, learns and matures to develop as a person.

David Mitchell’s use of language is not particularly doused in imagery, but then, this is a first person pov of a thirteen year-old boy.  We learn that he is a poet however, and while Mitchell does not overplay this aspect, Jason’s use of language in describing his episodes is a gradual increase of control over his world and we see it in his change of word use. 

There are themes of change and themes of struggle, in Jason’s overcoming his stutter, in his facing the further demons of the bullies among his peers, in his understanding of the disintegration of his parents’ marriage, in his learning the complications of friendships and family.  It is far too easy for an author to abuse the first person pov by allowing his narrator to explain his feelings to the reader.  Mitchell is above that.  We see the changes in Jason’s thoughts without his having to tell us how he feels.  He surprises us in the same way he surprises himself.  It is a brilliant method of indepth characterization that is a pleasure to read.

And, Mitchell does come through with some amazing phrasing as the story grows.  I’ll leave off with this example, as Jason’s family is separating, leaving their home and moving on:

The echoey house asked its four corners but no answer rebounded back.
Our right to be here is weaker by the minute.  (p. 192)

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REALITY? & WRITING: Passion

I’m watching So You Think You Can Dance and naturally, crying.  Josh is crying and I cry for him.  What is getting to me from this show to insure my weekly cleansing of emotion is the beauty of the passion I see here.

Somewhere in my freshman high school year I came across Stoicism and took it to my heart and lived with it for most of my adult life.  Then along came menopause and bifocals and passion.  When I watch these young people putting their heart and souls into their learning and furthering of their art, it reaches something deep inside me that responds in kind.  I feel for them, I share their love of performance and expression. I envy them their faith and their power.

I don’t really see this passion in writers, but then I haven’t really been exposed to any who have devoted their efforts and lives to fulfill a dream–no, not a dream, a need–to write.  I am uplifted by what I see in these young dancers and am exhilarated by their devotion and emotion.  I sincerely hope they get to dance their long lives through.

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LITERATURE: Black Swan Green – Changes

First of all, this following episode reminds me a bit of Steve Ersinghaus’ piece, Stoning Field, in the interaction of boys and the underlying theme of war:

Here was a bent glade I knew from when us village kids used to fight war games in the woods.  Pretty seriously we took it, with prisoners of war, cease-fires, flags one side had to steal (footy socks on a stick), and rules of combat that were half tag, half judo.  More sophisticated than those Passchendaeles back on the Malvern road, anyhow.  When field marshals picked their men I was snapped up ’cause I was an ace dodger and tree climber.  Those war games were ace.  Sport at school isn’t the same.  Sport doesn’t let you be someone you’re not.  War games’re extinct now.  Us lot were the last ones.  (p. 235)

Jason has escaped through the woods after nearly walking right into a pelting war of bullies out on the road.  He is one of those who has been picked on and bullied and in this learning of dealing with others, he is brought into another war raging in his village: against the village council who would build permanent gypsy housing right outside of his village.  Most are naturally against the move, with the usual fear and lies that come with outsiders moving into one’s home territory. 

I do like this gradual change coming about in Jason, watching him face up to and overcome or learn to handle the way the world works.

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REALITY?: Of Breasts and Bums

Can I talk to you about. . . breast tests and colonoscopys?

What started it all was my cardiologist’s insistence that I find a primary care physician.  I’m not a doctor person so I’ve been able to make do with a pediatrician and graduated to a gynecologist whom I forced to look above my chest and below my knees which the patient man acquiesced to do for the past many decades.  So two years into my association with the heart guy I finally agreed to find a local internist and for the first time went to a regular doctor thinking I’d give my name, rank and serial number and never see again.  But she sent me for all kinds of tests. 

Now the mammogram I usually managed to stretch into four-year visits but of course, she ordered and made the appointment. I went.  I ended up having ultrasound as well (I have dense breasts?!?) and they found a node.  Oh no, I thought, recalling a double needle aspiration done six years ago which recall does not produce happy memories.  The needle aspiration was scrapped when the nice doctor got a look at the screen and proceeded instead with a biopsy that ended up taking it all out anyway.  Results negative, and I’m good to go for another year (or if possible, three or four if I can swing it).

Then, the dreaded word "colonoscopy."  Talk with friends who’ve had it done convinced me to cancel.  The gallon of stuff you must drink to clean you out tastes like potting soil, said one, so I should ask for the quick fix instead.  A nurse friend told me that it’s not as accurate and might entail another test should there be a question.  I opted for the gallon of potting soil.

It actually didn’t taste all that bad and there’s packets of fruit-flavors to add to the brew.  Unfortunately, the end mix tastes like lemon flavored Alka Seltzer which I’ve always hated because I can’t stand salty-sweet together.  (Note to pharmaceutical companies: include one packet of beef or chicken flavoring and you’ve got yourself a best seller.)  I won’t go into the particulars, but I didn’t bother putting my jeans back on for three hours between the kitchen and bathroom.

The colonoscopy was the easy part.  Really.  Here’s why:  they’ve got some good drugs.  I remember answering three simple questions and seeing what couldn’t possibly be my bum on the color screen and then being gently awakened and offered my choice of beverage and breakfast, choosing ginger ale and english muffins (the good ones, Thomas’ with nooks and crannies–how apropros) and getting dressed and flying out of there the second I saw my husband’s smiling face.

They gave me papers and pictures and instructions for a higher fiber diet–I did have a polyp which they removed.  No pain, no discomfort, no real embarrassment (I told them that while I may have farted while asleep, there was no way I’d be passing gas in their presence if I could help it, which strangely disappointed them).  Too soon the drugs wore off and reality returned but still, no pain and I’m just a bit tired.

So do it.  Make those appointments and get it over with.  The colonoscopy’s a ten-year thing (which is the only reason I agreed to it) and you’re bound to forget how bad that sh.. tastes by then.  I realize not everybody has insurance coverage on this but more and more insurance companies cover it as necessary preventive care.  I’m glad it’s behind me (no pun intended) and I’ll get on the Katie Couric bandwagon against colon cancer and doing whatever you can to catch something early enough to make a difference.

I hope I can find this post in ten years when I’m balking again at going.  But really, it’s no big deal. Make your appointment today.

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