Author Archives: susan

LITERATURE: The Unbearable Lightness – Expanding on Theme

Kundera makes clear his metaphor of musical composition for a lifetime, and several times he has reinforced the image if not outright making it a clear statement. My own inclination is to often call all creative forces "art" and so … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness – Chains/Hyperlinks?

I realize that as a hypertext enthusiast and writer I look for these things in other areas of life, but I don’t think that it can be denied that the past produces the present and so some form of primitive … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness – Motif

Once again, Kundera writes as a teacher of writing in his narrative.  As he names a particular bowler hat as a "motif" he explains how it comes to take on meaning. While we are not left to discover the hat’s … Continue reading Continue reading

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POETRY: The Hummingbird

"Safe voyage," I wished herand green as her wings,I envied the flash of her flight "I am not free as you,"she replied in a whirof a moment where she hung like a kite in the sun "For I am set … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness – Hypertext Roots

While I may have thought of hypertext fiction as revolutionary, it appears to have come about in a more evolutionary process. There is an obvious plot of maps in Calvino’s If on a winter’s night a traveler, where several seemingly … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness – Hypertext Wow Factor

Am in the middle of pressing wine (by hand) so I’ve not time enough to write the post itself but had to say that page 52 is about one of the best teachers of hypertext pattern reasoning I’ve absorbed. Will … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness – Setting Up Theme

Finally getting some time to read and I’m finding myself intrigued by Kundera’s manner of posing a theory and illustrating it by introducing a couple of characters and from there, beginning a story. The idea of eternal return is a … Continue reading Continue reading

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LITERATURE: The Unbearable Lightness of Being – Opening Thoughts

Just a couple pages, but it appears that we’re getting into story from this point on so I’ll make a quick comment here. I either just love the impossibility of reading this without giving it serious thought, or it makes … Continue reading

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LITERATURE: The Unbearable Lightness of Being – Milan Kundera

Up next, something a bit different. It seems I’ve been reading sort of realism based in the early 1900s and it’s time to go fly away a bit. It was this, or one of Joseph Conrad’s pieces.  I have several, … Continue reading

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LITERATURE: Ragtime – Finale

I really did enjoy this novel more than I thought I would, once I got over the itchy effect that historical fiction seems to have on me.  E. L. Doctorow may not have a particularly eloquent poetical writing style, but … Continue reading Continue reading

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LITERATURE: Moons of Jupiter/Connections

Alice Munro is extremely skillful at creating a world from a slice of life that may seem ordinary, and yet she recognizes that ordinary often contains drama that the reader can easily recognize.  In this first story of the anthology, … Continue reading Continue reading

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LITERATURE: Ragtime – Diction

Little in Ragtime has caused me surprise or delight as far as imagery or eloquence, although I would say that Doctorow employs a staccato burst of information sometimes that sets an unmistakable tone of what he wishes to impart.  Often, … Continue reading Continue reading

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LITERATURE: Ragtime – History & Society

Doctorow slowly brings in historical characters as the story builds, and as I found with Harry Houdini and Evelyn Nesbitt, establishes their presence and then often brings them back around in some proximity to the lives of the fictional family … Continue reading Continue reading

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LITERATURE: Ragtime – Character

Doctorow’s emphasis of story appears to be on inequities in society at the beginning of the twentieth century, and he does so subtly by following unrelated characters of different social status as their paths cross. In this manner, we become … Continue reading Continue reading

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LITERATURE: Ragtime – Stretching Reality

This may in fact be another example of narrator reliability, in the mix of fact and fiction: The motor idled.  Only Jung noticed the little girl in the pinafore standing slightly behind the young woman and holding her hand.  The … Continue reading Continue reading

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