Author Archives: susan

LITERATURE: The Master and Margarita – Theme

One of the themes I see in this novel is the one of good versus evil; obvious, since both the devil and Jesus Christ are metaphorically referenced.  But there is more to the repression of Russia’s common folk than temptation … Continue reading Continue reading

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LITERATURE: Confessions – Augustine and Faith

You alone are always present even to those who have taken themselves far from you.  Let them turn and seek you, for you have not abandoned your creation as they have deserted their Creator [Wisd.5:7].  Let them turn, and at … Continue reading Continue reading

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LITERATURE: The Master and Margarita – The Fourth Wall

In third person omniscient point of view the reader is privy to all going on, anywhere, depending upon the narrator’s movement through the structure of story and of course, reliant upon that narrator’s opinion of events and situations. Bulgakov eases … Continue reading Continue reading

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LITERATURE: The Confessions – Perception

I like the way Augustine puts this: For I did not know that the soul needs to be enlightened by light from outside itself, so that it can participate in truth, because it is not itself the nature of truth.  … Continue reading Continue reading

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LITERATURE: The Master and Margarita – A Couple of Highlights

So that’s what happens on vacation: you still read, but you don’t bother writing about it.  A couple things that struck me particularly in this reading: And suddenly they started singing the second verse as if of their own accord, … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Some Mid-Point Thoughts

Actually a bit beyond the midpoint, but Bulgakov makes it a focus of change: We have no idea whether there were any other strange occurrences in Moscow that night, and we have no intention of trying to find out, since … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Magical Realism

Obviously this novel is full of it, but Bulgakov, much like Marquez, makes it so enjoyable:      (…) there in a leather armchair, sobbing uncontrollably and clutching a wet handkerchief, her head thrown back and her legs stretched out … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Character Appearance

     "The fact is that a year ago I wrote a novel about Pilate." "     You’re a writer?" asked the poet with interest.       The guest’s face darkened, and he shook his fist at Ivan that then … Continue reading Continue reading

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LITERATURE: Confessions of The Master and Margarita – Role Reversal

Saint Augustine wrote his Confessions as a personal journey, therefore, non-fiction and yet, the philosophy and drama of his viewpoint could certainly be the basis of a novel.  It is written in a particularly eloquent language and of course, of … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Voice

There is a telltale sign that what you’re reading is a Russian novel–aside from the triple-named characters.  For me, it’s a sense of drama within the story that excites the characters yet is presented to the reader in a more … Continue reading Continue reading

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LITERATURE: The Master and Margarita – A Chapter of Total Tension

And so the show is onstage, with Professor Woland seated, the black cat prancing about, and Fagot/Korovyov taking over the act.  What is promised is black magic tricks and an expose, but the magic is beyond comprehension except for its … Continue reading Continue reading

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LITERATURE: Confessions – Motivation for Style

The text of Confessions is written as if Augustine is writing to God, certainly addressing Him in an informal manner, meaning not in letter style, but more perhaps as a diary.  Augustine plunges into his own past and his own … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Demi-Climax

As I mentioned, the variety of characters, the different story paths were leading up to what the reader, as he learns more and more, comes to believe will be a momentous and telling part of the narrative.  The mysterious and … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Plot

Despite what some adventure loving readers may claim, the novel that becomes a literary classic always has some kind of carefully considered plot. It simply is not the main priority of the narrative. In this novel, where much is implied … Continue reading Continue reading

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LITERATURE: Confessions – Loss

Augustine, on the death of someone very close to him, a boyhood friend: ‘Grief darkened my heart.’ (Lam. 5:17) Everything on which I set my gaze was death.  My home town became a torture to me; my father’s house a … Continue reading Continue reading

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