Author Archives: susan

LITERATURE: Chekov

Oh man.  I was just in the mood for an old classic short story.  Had been reading constantly through some of those in the PBW Challenge and needed the old.  Read Chopin and one other, then a favorite, Chekov.  Misery.  … Continue reading Continue reading

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LITERATURE: No Country for Old Men – Tension and Timeline

McCarthy is a master at piqueing your interest right from the opening line: I sent one boy to the gaschamber at Hunstsville.  One and only one.  (p. 3) This is an intro in first person pov from a sheriff.  Within … Continue reading Continue reading

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LITERATURE: Ethan Frome – Finale

Despite my trepidation at seeming less than enthusiastic about what has been listed as classic literature, I’ve got some issues with Edith Wharton’s novel. One thing that I’ve mentioned here already is the inability to rouse my sympathies for Ethan … Continue reading Continue reading

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LITERATURE: No Country for Old Men and Ethan Frome – POV Technique

Oddly enough, though this is likely the first time I’m concurrently reading two novels, the two I’ve chosen start out in first person pov as an introduction, then switch to third to begin the main body of the book.  Edith … Continue reading Continue reading

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LITERATURE: Ethan Frome – Backstory and Structure

With the introduction prior to chapter one we are being told by a first person narrator about a man named Ethan Frome.  In Chapter one, we are into third person (removed?) because the first person narrator from the intro has … Continue reading Continue reading

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LITERATURE: Ethan Frome – Details

Sometimes our writerly approach to reading can cause some confusion with the author’s intent.  In starting Ethan’s story, he was described as a young man.  Yet his wife seemed awfully crabby and sickly for that age.  I suspected she was … Continue reading Continue reading

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LITERATURE: Reading: No Country for Old Men

Couldn’t stay away from it, with it’s shades of red cover, crisp white lettering, faded silhouette of a running man…and of course, McCarthy’s like a Willie-fantasy for the literary part of my brain.  So No Country for Old Men will … Continue reading

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LITERATURE: Ethan Frome – Character Empathy

It’s impossible for me to point to particular selections or passages from this novel to illustrate my point, but I’m losing a bit of empathy for the main character, Ethan Frome.  Intrigued by him in the narrator’s introduction as a … Continue reading Continue reading

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LITERATURE: Ethan Frome – Character Revealing Characters and Plot

Wharton has employed the technique of changing first person pov to third immediately after an "Introduction" by the narrator and switching to the basic "here’s the story I found out…" to begin Chapter one with a younger Ethan Frome, the … Continue reading Continue reading

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LITERATURE: A Clockwork Orange – One More Thought on Structure

As is my method, after finishing Burgess’ novel I sought further insight via lit reviews online.  One thing (among several) I missed was the apparent significance of the musical arrangement style used in many of the phrasings and structure of … Continue reading Continue reading

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LITERATURE: Ethan Frome – Politics via Character

Edith Wharton’s novel begins with the first person narrator describing the protagonist, Ethan Frome, whom she sees at the post office of this small New England town.  Since she is not a native, Wharton has the narrator speaking with other … Continue reading Continue reading

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LITERATURE: Next Up – Ethan Frome

Just in the mood for a shorter piece, and one further back in time.  Coming off A Clockwork Orange seems to call for a love story, something that focuses on depth of character instead of the the depths of society … Continue reading Continue reading

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LITERATURE: A Clockwork Orange – European Finale

Very strange that the American publisher should want to cut out this final chapter.  There is resolution here, and a good one wherein Alex grows weary of his ways and seeks a family and continuity of the life cycle of … Continue reading Continue reading

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LITERATURE: A Clockwork Orange – The American Finale

From what I understand in an introduction by the author, Anthony Burgess, this novel ends at Chapter 20–at least for lily-livered 1961 America.  Without knowing what that edited out by the publisher last chapter (21) will bring, let me remark … Continue reading Continue reading

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LITERATURE: A Clockwork Orange – Government Control

So Alex has been sensitized to violence.  There is an ethical question here of course, as his total feedom of choice has been compromised permanently by the procedure he was subjected to at the prison. Alex does try to go … Continue reading Continue reading

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