Category Archives: LITERATURE

LITERATURE: The Master and Margarita – Magical Realism

Obviously this novel is full of it, but Bulgakov, much like Marquez, makes it so enjoyable:      (…) there in a leather armchair, sobbing uncontrollably and clutching a wet handkerchief, her head thrown back and her legs stretched out … Continue reading Continue reading

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LITERATURE: Acquisitioning, New Hampshire-Style

A bent-neck perusal of a six by six foot book swap shack at the dump, a double-rowed review of seven by god knows how many shelves in Nancy’s basement, and I’ve picked up fifteen or so more books to add … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Character Appearance

     "The fact is that a year ago I wrote a novel about Pilate." "     You’re a writer?" asked the poet with interest.       The guest’s face darkened, and he shook his fist at Ivan that then … Continue reading Continue reading

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LITERATURE: Confessions of The Master and Margarita – Role Reversal

Saint Augustine wrote his Confessions as a personal journey, therefore, non-fiction and yet, the philosophy and drama of his viewpoint could certainly be the basis of a novel.  It is written in a particularly eloquent language and of course, of … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Voice

There is a telltale sign that what you’re reading is a Russian novel–aside from the triple-named characters.  For me, it’s a sense of drama within the story that excites the characters yet is presented to the reader in a more … Continue reading Continue reading

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LITERATURE: The Master and Margarita – A Chapter of Total Tension

And so the show is onstage, with Professor Woland seated, the black cat prancing about, and Fagot/Korovyov taking over the act.  What is promised is black magic tricks and an expose, but the magic is beyond comprehension except for its … Continue reading Continue reading

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LITERATURE: Confessions – Motivation for Style

The text of Confessions is written as if Augustine is writing to God, certainly addressing Him in an informal manner, meaning not in letter style, but more perhaps as a diary.  Augustine plunges into his own past and his own … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Demi-Climax

As I mentioned, the variety of characters, the different story paths were leading up to what the reader, as he learns more and more, comes to believe will be a momentous and telling part of the narrative.  The mysterious and … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Plot

Despite what some adventure loving readers may claim, the novel that becomes a literary classic always has some kind of carefully considered plot. It simply is not the main priority of the narrative. In this novel, where much is implied … Continue reading Continue reading

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LITERATURE: Confessions – Loss

Augustine, on the death of someone very close to him, a boyhood friend: ‘Grief darkened my heart.’ (Lam. 5:17) Everything on which I set my gaze was death.  My home town became a torture to me; my father’s house a … Continue reading Continue reading

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LITERATURE: The Master and Margarita – Reality Based Fiction

As the strange professor moves through this novel, we suspect that he is the devil himself as the obviously fantastical takes over: But there were worse things to be seen in the bedroom: sprawled in a relaxed pose on the … Continue reading Continue reading

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LITERATURE: The Master and Margarita

I can tell now, even this early in the book, that this is one to be read a few times.  Bulgakov has admirably written a story that is intrigueing and encompassing of character, action, mystery, conflict and structure, enough to … Continue reading Continue reading

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LITERATURE & REALITY?: Pleasure and Augustine’s Take on It

One of life’s intense pleasures is the taste of a fresh-picked tomato still warm from the sun, its glowing  skin threatening to explode with its swollen ripeness at the prick of a knife.  Decadent as the finest chocolate’s dark sweetness.  … Continue reading Continue reading

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LITERATURE: Confessions – Of Law

Augustine, while granting God the first and last say in making the rules, argues that by a simple measure of doing good by not doing wrong to others or giving in to the excesses that bring man earthly pleasures without … Continue reading Continue reading

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LITERATURE: Cross Reference

In this point of Confessions Augustine explains the laws of God as being universal, and that while circumstance of time may change rules, what is good for man is basic for all, and comes directly from the love of God.  … Continue reading

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