LITERATURE & NEW MEDIA: Afternoon, A Story

I’ve added Michael Joyce’s Afternoon, A Story to my current reading, perhaps in advance of Patchwork Girl, another hyperfiction piece I seemed to be having some trouble negotiating–although I was intrigued by the presentation in its form. 

I had started Afternoon about a year ago but never got too far into it and feel it might be better to explore this novel more fully before moving on as it is an earlier piece of hyperfiction and perhaps a bit simpler in its technical format.

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EDUCATION & NEW MEDIA: Plans

It’s probably too late for me–no protests here; sometimes it just is–to learn the new programs and make some use of them, but on the other hand, limited time means learning faster by going the classroom route vs. the trial and error self-teaching methods that seemed fine until now.

I want to learn to write Interactive Fiction–the text based play such as Montfort’s Book and Volume that I’ve been "reading and writing" now.  I want to learn Adobe Illustrator, Flash8 and all the rest.  For my own satisfaction of curiousity and sense of adventure, yes; but with some forward thinking towards publication as well. 

Where this all is likely leading is to courses for the fall semester; somewhere, I’m not sure which colleges offer what I need and what I need to be admitted.  But I must stop putting off the inevitable as time flies by and I’m still struggling with the basics.  So if at all possible, you’ll find me back in a classroom somewhere by the end of summer.

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NEW MEDIA: Methods & Madness

It just takes so much time to learn! 

I’ve just spent a good part of today changing postings over to different categories:  Went back from NONFICTION to REALITY? on personal posts and eliminated HYPERFICTION by putting those into the NEW MEDIA category.  Still, I have left INTERACTIVE FICTION to its own, but feel there are more changes to be made.  Seriously considering closing my other blogs on my writings and opening up a separate blog for personal (REALITY?) postings while keeping Spinning for the literary and writing adventures.

I’m beginning to think in blocks of ideas linked with lines, and the category arrangement here just doesn’t do it–just as I’ve been reading in Landow’s Hypertext 3.0.  Categories are indeed limiting and compartmentalizing human thoughts and ideas put down in written form of a weblog and yet unlinked to their subcategory associations.  More on this in a moment.

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REALITY?: Barn Flowers

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NEW MEDIA: Hypertext 3.0 – Categories

Just when I realized that my category system here wasn’t working well, i.e., switching from REALTY? to NONFICTION to hold the personal posts and now deciding to reverse that move, I find this in Landow’s book:

As Ted Nelson, one of (Vannevar) Bush’s most prominent disciples, points out, "there is nothing wrong with categorization.  it is, however, by its nature transient; category systems have a half-life, and categorizations begin to look fairly stupid after a few years… (p. 10)

Why this post alone caused me some hesitation; would it be better put in NEW MEDIA?  LITERATURE?  And what about the Interactive Fiction, such as Nick Montfort’s Book and Volume that I’m into now; is that Literature (sure), Hyperfiction (sort of), New Media, or in its own category of IF?  The Watchmaker is new media but literature as well. 

Bush, a pioneer of hypertext, realized that not only was it highly inefficient to do research as the years and information piled up, the simple fact was that it was done in a way that sounded good–alphabetical, numerical or chronological–but that in fact was not following the normal pattern of human thinking:  organization by association.  Obviously, if I was searching for the word "story" I wouldn’t continue my search by next trying stoic or stove; I’d think of fiction, book, tale, etc. 

What’s cool about about the study of hypertext and new media is being able to see it not as some outrageous new concept, but to understand how it came about by the processes that we go through every day in some small way.

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BLOGGING: Categories

Well, nothing like creating busy work for yourself.  Decided that changing the name of personal posts from Reality? to Nonfiction wasn’t the best idea if I’m going to be writing about things that aren’t really literature perhaps, but nonfiction events; that, and the literary status of Spinning may be confusing with the Nonfiction category title. 

I haven’t even looked to see how many entries are involved in changing them over, but I can tell you that I’ve been at it for a while and I’ve only gotten backwards through May 22nd.  I suspect that I made the change back in January.

Lord, I hate it when I do these things.

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REALITY?: Moving On

A weighty post from Mark at Clear Lake Reflections that hit home today.  About what remains within us as the world changes around us.  About how we react and how we adjust.  And, about how we move on from there.

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LITERATURE: Ploughshares – Poetry

While it was my intention to breeze through these literary journals quickly, reading just the limited number of short stories, I do tend to check out some of the many poems when walking with the book in hand or just having time for a quickie.

There are some excellent poems in this issue (Vol. 30, No. 4).  There’s one about a teacher who is determined to reach the students and make sure they understand his point in a particular poem, as the students freeze and die. (Cold Reading, Brenden Constantine) and another about who we are and who we thought we’d be, in Taking Out Trash by Charles Harper Webb. 

There are some clunkers (in my amateur opinion) as well, but the majority of those I’ve read are very well done.

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LITERATURE: Imagery

I wish a picture was worth a thousand words; it’d be a lot faster…

(Below) To read soon (found some more and had to add them to the list):

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(Below) Read long ago  (and yes, the shelves are about to crack under the load, even with all those gone that I gave away):

(Below) Read recently (no place to put them–we really must build shelves!):

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Also to be read, all books on writing (as if I’ll ever have the time to write) I picked up or were given to me by the best intentioned readers (The black magic marker of “BOOKS” didn’t come out clear on the Smirnoff box, honest):

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LITERATURE: Prairie Schooner – Cream of the Crop

Well, I couldn’t get through all four stories in this Fall 2004 issue (vol. 78, no. 3) and though I still carry the guilt of that, it is in keeping with my new policy of forcing myself to give up as a timewaster something that doesn’t keep my attention.  I will learn nothing from writing that is not outstanding; especially in view of the 70 books on my hearth and the 31 (now 32 and growing) books listed that I know I definitely want to read, as well as the back issues of Confrontation, Prairie Schooner, Glimmertrain and Ploughshares

Two of the stories were good, one was riddled with amateurish workings from page one, the poems were probably good–I know little about poetry; but in this issue one story just shined right through:  Wolves by Susan Fromberg Schaeffer.

I am certain that the touch of magical realism is what hooked me, as well as the flawless writing style and suck-you-in narrative voice of the story.  Basically, a woman is contemplating her life and her marriage and does so by way of an imaginary wolf that serves as an alter-ego in her attempt to understand the past and the future of her life as well as the love she shares with her husband.

As is my custom, I check up on an author’s brief bio only after the reading of their work–whether it is because I want to understand more about them because their writing was so good, or likewise, if it was so bad or confusing that I wonder how they ever got published.  Schaeffer, I find, has fourteen novels to her credit, one published just last month.

She’s just been added to my "To Buy" list.

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INTERACTIVE FICTION: Book and Volume – Observations

Now that I’m all cocky because I finally got past the first "event," and was presented with my first task and seem to be on the right road, some observations about both IF and this piece in particular…

Just as in any interactive media play, we take on a certain persona, usually that of the protagonist and are called upon to react to situations as they occur as well as proceed along a desired or named goal that will be considered the successful finishing of the story.  In strictly text medium with first person point of view, we have no choices; instead, we are asked to accept what the author has laid out as our actions within the plot.  The conflict then is of a dual nature:  react to the circumstance, and, react in a manner that may be alien to our own nature  (No! No! I’m not gonna open that door at the top of the stairs!).

But interactive gives us our own personality back–sometimes a disheartening realization that we are in fact sissy-wimps or on the other extreme, barely restraining murderous tendencies.  But nevertheless, we are pretty much ourselves if the programmed story allows for all the different personality types of their readers/users.  This is what makes it more interesting and more truly in keeping with the Barthes theory of the story belonging to the reader. 

One thing of particular note in Book and Volume is that at one point I was asked to introduce myself and hesitated only a second to consider what "word" was the key before I typed in "susan."  The next sentence was addressed to me personally (with the warning that it was likely to forget me immediately). 

Now THAT’S interactivity at its finest.

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LITERATURE & IF: Story

First, the IF piece, Book and Volume:  Finally got the secret code word that answers the pager.  Simple, and I’d thought I’d already tried it, but I guess not in the right sequence.  Anyway, the response on my part was just as I’d remembered all my ventures into IF and game stories: Click save and close the program, breathing a victory sigh of relief.  This gives my heart time to slow back down to its normal flub-dub perhaps adding minutes back to the hours the stress has taken off my life.

In Prairie Schooner’s Wolves, I am immediately grabbed (and so turn around and escape the book to share with ya’ll) by the metaphor.  The fly was one thing; likely the death of the relationship or of the woman’s own desire to fight anymore.  But the wolf, a word her husband says aloud while working a crossword puzzle, is kept to herself as a symbol.  Likely, the symbol of her restlessness and emerging change in thinking of herself as a separate entity from the couple she’s been in pair with her husband.  Very nice work.

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INTERACTIVE FICTION: Book and Volume

Well, it didn’t take long for me to fall right back into character with this–and I had to search the net to find the WinFrotz Interpreter to download. 

I love IF, because it’s just so me.  I am in my element here, but it’s just so much more obvious when you’re stuck on one blue screen that keeps telling you something like, "That verb doesn’t seem to be part of your API" — in other words, in responding to my typed instructions to move along in the story, the program and I don’t speak the same language.  Precisely like my dealings in the real world.

In the meantime, there is a hurried pace picking up as the pager I’m trying to turn off is buzzing, vibrating, and threatening my sanity.

THE PAGER IT HURTS US!

Where, oh where did I put that list of words to use in IF play?  I try more words–even "cry"–though it’s never worked before.

The pager’s buzzing and vibration seems to have set up a sort of resonance in your body, which reacts like the Tacoma Narrows Bridge.

I’m getting panicky now; I recognize the warning signs from previous excursions into IF as well as life.  Think!  Think!

*** So it goes ***
On the last day of your working life you accomplished 0 of the 0 tasks assigned you.
Crap.  Yeah, I remember now what fun Photopia was for several sleepless days and nights.

Continue reading

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INTERACTIVE FICTION: New Stuff

Well, there’s just no way I can think about getting another job when Dennis Jerz brings even more "reading" into my life, resurrecting interactive fiction (of the text sort) with a couple of entries this morning on new writing software as well as leading me to Nick Monfort’s Book and Volume–which just hooked me into a download. 

So there you have it:  IF, Hypermedia, Games and plain old books (70, I think, on the hearth alone), along with all the learning programs that go along with new media and what I want to learn to do, as well as digging into the philosophy and basics for thought and history that are on my list.

Need a job that pays me to read–and write!!

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LITERATURE: Anxiety and Anticipation

Forgot what I had ordered out of Amazon.com and when I went to check I found that they had dumped my cart per ninety-day allowance I would think.  But the good that’s come of it was that in rebuilding my want/need/gotta read group with them I took the time to fix and update the lists of what I’ve read as best as I remember (and some I’ve read but need to reread), have here to read and still to order.

But the order placed is going to be a biggie excitement-wise, and I’m sorry now I fell under the frugal "save-shipping" lure because of course, my need is usually stronger than my greed.  So I must learn the art of patience (why?) and this is coming in:  McCarthy’s The Orchard Keeper, Marquez’s Love in the Time of Cholera, Woolf’s Mrs. Dalloway; plus hypermedia Scratches and The Watchmaker, and learning: Flash8 Bible.

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