NEW MEDIA & REALITY: More Firsts

It will be a super day today.  Missing video cards will arrive so I can start building two computers.  Three stories all started out at two a.m. and ready to meet this morning for the first time.  Paths laid down and waiting to be journaled, plotted out in boxes. 

Pseudohyperfiction.  Using reality.   Don’t know if it’s ever been done before in quite this way.  It may be a first, or not.  Should research it, I suppose, but that might drain excitement from the thrill of something new.  If not new, it will be different.  If new, it will be one of the most satisfying writings I have ever done.

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REALITY: First Mornings

A first, I think, first thing this morning.  A Great Crested Flycatcher tipping the tip of a swamp birch.  At first I thought it was a baby Bluejay, a bit scruffy looking, surprised at life and me.  Bright yellow belly gives it away though, and I wish him many flys to catch today.

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REALITY: Nighttime Sounds

Me, inhaling.  A treefrog calling for a mate.  The breeze through infant leaves.  The sounds of night in the garage, back door open to the yard in blackness and I do not see what may be scampering about.  Skunk, rabbits, deer, fox, coyote; the turkeys are asleep.  Maybe, if I’m wrong, lost souls are wandering about as well. 

Inside again, tv, laptop fan, spousal snoring calling to his mate.

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REALITY: Storms

One of my most favorite things, watching a storm move in.  The stillness ruffled here and there and soon the sound becomes the foreteller as the wind picks up and bends the tip-tops of the trees.  Maple seeds helicopter through the air, and birds have found a spot to hunker in and wait it out. 

Sky, pure creamy white, unmarked.  But in the west, blackness moves amoeba-like, pseudopods crawl it along. 

I smell the freshness in the air; though I still reek of old-man’s aftershave.  Old people night tonight for dinner.  In by four and out by five, grey whirlwind of man that moves so slowly, leaves his scent upon my shirt for all the long night left. 

Ah, it may have passed, the darkness on its way northeast.  It leaves no scent behind.

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NEW MEDIA: “If Only”

Getting just a minute or two between all else to work on this simultaneously intertwined trilogical pseudohypertext of story ("If Only" is the working title of the main piece)  (I think) and haven’t gotten it laid out yet in Powerpoint, nor given it its own weblog yet, but just thought of a way to add some stress to the process.

In a couple weeks I’ll have a one-on-one conference on a few stories I sent in for the Wesleyan Conference.  Though I have no idea how much time we’re allotted, it’d be kind of neat to show him something on this one and get his thoughts on the format.

He’d probably hate it, but if his thoughts on my other three normal stories aren’t positive, then what’ve I got to lose?  So I’ll be putting in some serious time to get this project closer to a working concept by then.

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REALITY: Bad Day At Rock River Bend

Trip to town fraught with worry and delay, like a band of wild Indians after my wagon. 

The ride in held up by a muletrain, or maybe a muleheaded woman doing twenty-five tops.  Braked at corners, but not for the stop signs, she did.  Town librarian informs me they don’t have the H.S. yearbooks so I can’t look up the varmint I’m framing to make sure he’s the right one.  I’m the hold-up at the grocery store since the grapefruit juice is mismarked and not two for five dollars.  Lady in front of me in the pharmacy with a new insurance card that of course doesn’t work.  Then the lady ahead of me at the register doesn’t have the money to pay for what’s in her basket.  But she rummages through her purse anyway, mumbling about the old man having her card.  The trip home, all the way home, by the river, uphill and all, is right in the tracks of my guide, an overfilled  dumptruck.

And today was the day I was gonna work outside.

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LITERATURE: The Publishing Business

From The Reading Experience, and his references to an article by M. J. Rose at the Publishers Marketplace, and another by Maud Newton on her weblog, we get a dreary picture of the book publishing business.  Yes, drearier and drearier, and no, it’s probably not just a cycle that’s going to get better.  It has been this way for years and the internet, still in its relative infancy in this area, is not helping with weblogs and self-publishing capabilities.

So while it may be easier for writers to get their work read in some ways, it’s not going to be a career and it’s not going to be helped by the big time publishing houses.

So to just about everyone except some celebrity with a sizzling sex life, the old advice stands firmly:  Don’t give up your day job.

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LITERATURE: Parker

I don’t think I should be reading "The Portable Dorothy Parker" all the way through–many of the conversations are starting to sound too much alike, and I feel like I’m lost in "The Early Show"  forever with Nick and Nora Charles. 

But this line is necessary to share with you, and makes any story worthwhile reading just to find such a gem.  From "Here We Are":  "There was a silence with things going on in it."

Oh boy.  Wish I’d have thought of that one.

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REALITY: By Degrees

Boy, I have never, ever been so close to clicking away a degree than I am this morning.

Every time I login to my summer course, I find I can only last about three minutes and need to get out of there.  I have dropped a course before–this one, as a matter of fact–but with the thought of taking it later.  This time, I just don’t want to follow through with it at all, but the stakes are higher.  It means giving up the degree.

I wish I’d had the sense or the direction to have found the way to get this substitution made last year.  The "walk" part of the deal was just a stall, and one I found that many, many students had taken advantage of.  Both graduates on either side of me at the ceremonies were doing the last elective in this summer session, one is in my course.

For them, they need this.  For me, well, how important is it, really?  I want to do the things that the education has directed me towards, and even this eight-week session is a delay and a serious time consumer.  The usual argument would be that I’ve come this far, suffered through language and math and essays and exams and I’m so close to the end.  The counter argument is naturally, why put myself through more when it is interfering with what I really am destined to do and nutrition has no part in it, nor does the course help as just another way of thinking. 

Man, this is going to take all the resolve I have to punish myself with going through with it and put off the pleasure and rewards of that part of education that has given me the drive and a glimpse of my goals.  When I took the step to enter higher education, the thought was simply to get the needed "piece of paper."  That’s changed.  What I see as the value now is what I’ve learned in doing it.  About myself, about new ways of thinking, and about the path that’s most clearly marked for me to travel.  Even these damned eight weeks of reading, exams and heavy participation are a roadblock on that path.  I could have instead been learning more about what has me excited in learning about.  At my age, that piece of paper is useless, except what it represents in my own journey, and that already has been made clear to me.  I’m following the road beyond the point where I need to turn off, but that piece of paper says I have to stay on the main road.

That line of poetry I mentioned that keeps going through my head is shouting now:  I do not want to.

Which in truth is more courageous, to follow through with the original plan and put off temporarily a no longer important result, or to jump into what has become important as an unexpected early result of the plan?

(Note:  This happens to be my 1900th entry–on Spinning only.  Isn’t it obvious where my heart lies and where my feet must follow?)

(Note #2:  I apologize to Feed readers for the constant updating of this post.  I did warn you once before–I write directly into Typepad, and so second thoughts and added insight are always an option.  Switch me, if you can, to "don’t show updates.")

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NEW MEDIA: Planning

Would like to chronicle the process of a project I am working on right now, and am deciding if it will just be placed in the New Media category here at Spinning, or if a separate weblog, as I did for the creative writing course is the way to go.  I’m at the point of story where I think a grid must be drawn out, the paths laid out, even if I’m not wanting to plan ahead but instead let the story(ies) move as they come–which is the normal way I write. 

I’m glad for the experience from the New Media Course which introduced to me the use of Powerpoint and its value to the process by way of flowchart.  Although this will not be a visual and audio piece, perhaps even the slide show setup might be useful for following the text.  But the fact that I’m already semi-comfortable with it will make things easier.

Want to also pick back up on "Still Life".  I think I can learn something about paths and details from the gameplaying process just as from Interactive Fiction which leads the reader/player by questioning the story and by remembering detail.

So maybe I won’t make you read this step-by-step process of writing a "pseudohyperfiction" story, but the weblog, a new media event in itself, will be instrumental in the planning and recording, whether here or elsewhere.

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WRITING: Style & Purpose

Somewhere in the dark confines of the brain where templates hide there is a system, automatic, maybe non-controllable, for what is written.

Loose prose of story, Template #17; pulled and used when space produces something that the eyes have seen that need be written.

Standard format of story, Template #6:  puts in avoided pronouns, verbs, clarity and flow. 

I try to write a story on Template #17, or make a new one.  But like Windows, there are several ways to do things, but only one will do the right thing even when you want to do it wrong.

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LITERATURE: Parker

Okay, so I’ll probably flunk Nutrition because there’s so much to read, so much to write.  No, not in the course–although that’s heavily overloaded with both, but in my choice of reading and my story-telling of writing.

And I didn’t think I’d linger in Parker’s poetry, but I found myself reading almost every one, though skipping through them until the irony, the bitter pungency of Parker’s wit caught me sharply in its grip.  I had to stop and appreciate it.  I don’t know that she’s any great poet but there are some ideas and language use, especially the ones on death that are truly novel and enjoyable.  There are so many, so many, but this one I’ve managed to find quickly, a stanza from "Braggart": 

"You will be pale and musty
With peering, furtive head,
Whilst I am young and lusty
Among the roaring dead."

But Parker’s forte is in the short story, and within that, in revealing character in her characters that they try their best to hide.  "The Wonderful Old Gentleman" is a story of a middle-aged couple, not wealthy, who are sitting with the wife’s sister, a well-to-do, well-married lady, in the couple’s living room waiting for their father to die. 

Parker’s description of scene in this story is overwhelming with details that are intriguing in their variety, and yet are necessary to set the tone of the story as well as to reveal the people who have chosen the items to display around the home.  Each piece comes alive:  "Just above him hung a steel engraving of a chariot race, the dust flying, the chariots careening wildly, the drivers ferociously lashing their maddened horses, the horses themselves caught by the artist the moment before their hearts burst, and they dropped in their traces."

And here, perhaps a lesson in writing story:  "a colored print, showing a railroad crossing, with a train flying relentlessly towards it, and a low, red automobile trying to dash across the track before the iron terror shattered it into eternity."   This piece, it is noted, makes guests uncomfortable.  Just as Parker’s story makes us feel since we are judging the two sisters by their conversation and how they play with words, skirting the real issues between them for sake of decorum.

Masterful.  Simply amazing how well Parker knows what to place where within the narrative.

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LITERATURE: Learning through Reading

I have read several short stories in this collection, and am getting a comfortable feeling with Parker.  She is sardonically relating her perception of the women of her time.  She, ahead of her time, I looking back, both disrespectful of the minds that knew better but were trapped inside a body sworn to uphold the laws of men.  Afraid to come out in truth except in fiction.  Understanding, yet scornful we can be unless these women knew no better.

Can’t get too settled in with Dorothy, as I’m afraid some of the wrong things may rub off–the language (remember that I started out in writing sounding just like Susie Poe) is too welcome, too easy to pick up on.  With luck however, the amazing character revelation through thought and dialogue will be absorbed.

But I’ve offset this danger of entrapment by skimming through and catching up with Suttree.  The world of difference in their writing is not only of the era, but of the techniques employed to make each successful in their narratives. 

Back to Parker, I’m just into the poetry section and will breeze through fairly quickly as it’s not a place where I need dally long in sing-song (yep, that come’s right back as if it were never unlearned!) reverie. 

It would be fun though, I think, to update a story of Parker’s such as The Waltz in contemporary language and scene.  Her writing style would still be effective, and I may (as I’ve said I would before–I know!) play with it a bit.

I have also given birth this afternoon to my adventurous couple who are currently pretending to be asleep before their journeys take them to stranger places still than ever found in dreams.

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WRITING: Out of the blue

We must go on tiptoe
to the crypt.
For tho they sleep so deeply,
when awakened
unaware and bothered,
they are bears.

(Must have been the damn crow.)

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REALITY & WRITING: Watcher of Words

The moment hits and I must sit down at the keyboard.   Type down what is running through my mind; a story singing softly reaches a crescendo.  Or maybe just another fork of road where I am suddenly left stranded.

I wander out to smell the June of mid-day.  A crow is perched atop the rooftop peak of my barn.  He is hunched, settled.  His thick neck appearing like a raven’s.  So close, he just looks down at me, snickers and flies away.

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