Psychology and Philosophy are twins, I think. Both force the questions, “What is the mind? What is real, and what is not?”
Freud probed the mind to propose (loosely translated) that many lived inside one single mind, and colored how we saw the world depending upon which one of us was watching at the time. He felt that dreams revealed our viewpoint of reality, and people, trees, and countries were turned to symbols in our dreams, thinly hiding what we faced, or often couldn’t face each day.
I feel that in the creative process, we do the same, with colored words and images. Instead of interpreting dreams to reveal reality, we build a world of words to hide within, but consciously awake, alert and plotting. Often it becomes the more natural way of seeing things, even at first glance.
Everything I’ve written here in the past months has been honest. It is no longer, however, straightforward. We learn to paint an image in Renaissance extremes or sometimes in cubist, modernist, or secretly obvious forms; sometimes, obviously secret as well.
The Lost Children: A Charity Anthology