REALITY?: Salsatisfied

Just as I’ve learned to use the second phase pulp to make crabapple sauce instead of squeezing it like crazy and making lots of more work for myself just for jelly, I’ve learned to use the excess juice if the tomatoes are particularly juicy rather than solid when I make salsa.

Instead of watery salsa, I have separate jars of the best hot-damned spicy V-8-like juice you ever tasted.  Good with Vodka and a lemon wedge, or to satisfy three of your prescribed daily servings of vegies.  And, with the hot peppers I used, also good for decongestion from the common cold.

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REALITY?: Season/Semester

It’s funny, even at my age the school year affects me.  Once based upon the agriculture and seasonal harvest, the school year continues with its summer-free schedule.  I’m still looking for a class to take, even as I look for full-time employment (I need a change and would like to depend upon a more steady flow of income than my frameshop provides) I seem to gravitate towards the academic environment.  I’ve put in for nearly all I felt qualified to perform at Tunxis CC, though I was talked out of applying for a custodian position that just opened up there.  This week I’m submitting my resume et al to two places: one a college in Southington and the other an elementary school a town or two over. 

These are clerical/administrative postions–but it makes me wonder why I never considered being a teacher when I was much younger.

The other pull at my heart and mind appears to be the harvest.  Vegies, fruit, canning, fermenting, jelling, all the the things I cannot bear to see go to waste. 

I would have made a good pioneer:  a farmer or a schoolmarm maybe.

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LITERATURE: Confessions – Religion and Science

Augustine has an interesting comment on this:

With the mind and intellect which you have given them, they investigate these matters.  They have found out much. (…) People who have no understanding of these things are amazed and stupefied.  Those who know are exultant and are admired.  Their irreligious pride makes them withdraw from you and eclipse your great light from reaching themselves.  They can foresee a future eclipse of the sun but do not perceive their own eclipse in the present.  For they do not in a religious spirit investigate the source of the intelligence with which they research into these matters.  Moreover, when they do discover that you are their Maker, they do not give themselves to you so that you may preserve what you have made.  (V.4)

Augustine, an intelligent and educated man, does not need to forsake scientific explanations of the natural universe to glorify his God.  He suggests instead that things of nature can be scientifically explained by man because God had given man the ability to observe, research, and theorize.

In the time of Augustine, belief based on faith was given more import than what might contradict that by scientific thought and findings.  Augustine is seeking a way to accept both.

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BLOGGING: Plea for Help

Not for me, but for Mark at Clear Lake Reflections who is having a bit of trouble with the switch to the latest Movable Type format.  Please do help if you can.  Thanks!

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NEW MEDIA: Hypertext 07

While I can’t pretend to have anything but a repressed by time and ignorance excited ambition of producing in hypertext, a good friend and former instructor of mine (though I still learn from him) deserves some high praise for his hypertext novel, The Life of Geronimo Sandoval, being presented at this year’s Hypertext 07 in Manchester, England. 

Steve Ersinghaus is a professor of English at Tunxis Community College and amid the Comp, Lit, Brit Lit and Shakespeare, he and John Timmons created a New Media course there that is now in its third year, bringing Tunxis to the leading edge of the new graphic/text/audio presentation that is the future.

I’ve just started winding my way through Steve’s novel, learning the complexities of the hypertext environment (as produced on Eastgate’s Storyspace software) even as I find my way through the depths of his story.

Congratulations, Steve, on this honor as well as the achievement of producing this work. 

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REALITY?: All in a Day’s Work

Cool breezes come in, take the kitchen heat and the sweet scent of crabapple sauce and jelly back out the window, seducing the hummingbird at the windowbox feeder as home breathes in, breathes out.

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NEW MEDIA: Ideas

Aside from the personal-via-e-mail comment about having "Post Office scary eyes," the post about self-image has inspired a thought. I’m considering taking photos of all parts of my body and scattering them into a collage of sorts that can be hyperlinked into a life story.

Now where’s that photo of me in the purple bikini back in…

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LITERATURE: The Master and Margarita – Theme

One of the themes I see in this novel is the one of good versus evil; obvious, since both the devil and Jesus Christ are metaphorically referenced.  But there is more to the repression of Russia’s common folk than temptation and human weakness.  What little they have of opportunity to enjoy life’s little sins is attacked and held up to full view.

In the theater, the devilish trio ended the show with the exposition of a high-ranking official’s liaison with a mistress. His wife having accompanied him makes it a bit more embarrassing, yet she stoically attacks his attackers.

Margarita is "married to an outstanding specialist who made an extremely important discovery of national significance.  Her husband was young, handsome, kind, honest, and adored his wife. Margarita Nikolayevna and her husband occupied the entire upper floor of a beautiful house in a garden on one of the small streets near the Arbat.  An enchanting spot!" (p. 185)

Why then the folly of attaching herself to the Master, a starving novelist?  Then again, who can question the whys of love.  I am not particularly sympathetic to the lovestruck Margarita, only because of her rather selfish ways.  Bulgakov takes it further:

Margarita hung up the phone, at which point something wooden-sounding started bumping around in the next room and began knocking at the door.  Margarita opened the door, and in flew a dancing broom, brush-end up.  It tapped a few beats on the floor with its handle, gave a kick, and strained toward the window.  Margarita squealed with delight and jumped astride the broomstick.  Only then did she remember that in all the confusion she had forgotten to get dressed.  (p. 199)

So naked, greased up with a magic cream given her by one of the unholy three which makes her ten years younger looking, she hops astride the broom and flies out the window ready to meet the devil in the hopes of finding her lost love, the Master. The broom appearing upside-down intrigues me.  The traditional manner of witches’ flight is interesting.  The loss of years is interesting in that Margarita was only thirty to begin with, and thirty at the time of her affair.  There appears to be a touch of the Cinderella fairy tale mixed in with Bulgakov’s story, though our Margarita is certainly no Cinderella in her lifestyle.  Perhaps the reversed stance of the broom is an indication that Margarita does make a transformation, but from riches to rags…or in this case, to no clothes at all.

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REALITY?: Lust

Three couples, the six of us, some blushed red with heat, some flushed with white wine, a tangle of legs, appetites hungry, filling our needs with sweet meat and butter, not speaking but gasping with pleasure and after the frenzy, a final, long, satisfied sigh.

Twin lobsters for dinner tonight.

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LITERATURE: Confessions – Augustine and Faith

You alone are always present even to those who have taken themselves far from you.  Let them turn and seek you, for you have not abandoned your creation as they have deserted their Creator [Wisd.5:7].  Let them turn, and at once you are there in their heart–in the heart of those who make confession to you and throw themselves upon you and weep on your breast after travelling many rough paths.  And you gently wipe away their tears [Rev. 7:17; 21:4], and they weep yet more and rejoice through their tears.  (V.1)

Even as Augustine admits to God how his youth was spent in material things rather than in knowing God, he has a tolerance of those–and here I think he includes most of mankind–who stray, whether through ignorance or through purpose.  Augustine’s attitude seems to be "this is what I did, I know better now, I strive to improve."

One thing about watching Big Brother 8 (yes, I’m hooked; especially on Evil Dick) is that two of the members of the house are seemingly very religious and talk to God in prayer–something that the camera is thrilled to pick up and reveal.  While I might question their purpose in taking part in this reality series if i weren’t so intent on believing that people perceive things differently, I would be interested in understanding their views on why God should help them win.  Particularly since they both are praying for this and only one of them could win. I’ve also noted that if they happen to lose a competition they blame themselves for screwing up somewhere, but if they win something, it’s not their skill but rather God’s grace.

Big Brother has the power to change lives; so too, God. In this age, here are folk looking both to Big Brother and God to give them material things.  This, as I’m reading about Augustine, who found that material things were nothing compared to the power of his God, even as he praised Him for offering them to man.

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REALITY?: Self Image

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Tried to take a photo of myself this morning but this old woman just kept getting in the way…

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LITERATURE: The Master and Margarita – The Fourth Wall

In third person omniscient point of view the reader is privy to all going on, anywhere, depending upon the narrator’s movement through the structure of story and of course, reliant upon that narrator’s opinion of events and situations.

Bulgakov eases us from third person to first as he has previously described Margarita’s thoughts, but adds:

–what did she want?  I do not know  I have no idea.  Evidently she spoke the truth when she said it was the Master she needed and not the Gothic-style house, the private garden, or the money.  She loved him, she was telling the truth.  (p. 186)

Bulgakov has followed the proper form of third person, switched to first, then surprises us with this:

Even I, a truthful narrator, but a detached observer nonetheless, feel my heart contract when I think of what Margarita went through the next day when she came to the Master’s house and found that he was no longer there.  Fortunately, she had not as yet had a talk with her husband, who had not come home when he was supposed to. (p. 186)

Allowing the narrator a persona has added the single touch of emotion that all the drama and bizarre events did not offer, being written in a style of near-reportative fashion, a matter-of-fact totally in conflict with the surreality of the story. 

Then Bulgakov moves forward, taking on and breaking the literary fourth wall:

All of this was absurd of course, since how would her staying with the Master that night have made things any different?  Could she really have saved him?  "Nonsense!" we would have exclaimed, but not in front of a woman who has been driven to despair.  (p. 186)

With that simple technique–first asking a question of the reader, one that might also have been considered a first person pov thought instead–then the statement of what we would have exclaimed, Bulgakov has the narrator make contact with the reader and connects with him in a convivial "we." This step by step method manages to first show the reader that the narrator is indeed a person and a caring, compassionate one, but also allows that the reader is the same.

Very nicely done.

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REALITY?: The Miracle of the Wine

083107r3Isn’t it pretty? Such a lucious foamy raspberry pink!  While I ran out for yeast–regular old Fleishman’s since the one I had here is too old and the wine order with the Montrachet won’t likely come in till next week–the crabapples caught the spores from the air and started fermenting without it.  With luck, the spores will not be in conflict with fruit wine (I’d hate to have it come out tasting like bulka!).  The one spot of yellow you spy is one of the quinces, still hard as a rock–too hard to cut with a knife–and resistant, for a while, to the metamorphic effect of fermentation.


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BLOGGING: Linkage

Two young ladies I’ve been meaning to point out and add into my blogroll here. 

Carolyn–who started out at Green Flamingoes but has settled into For Chameleons just as she’s left the Tunxis campus and returned to Vassar.

Neha–who has revived her Epiphanies weblog after a hiatus.  Neha left the Tunxis campus three years ago, went off to Seton Hill in PA to finish her degree, came back and took a job in the Insurance Capital of the World, and as of this semester, will be tip-toeing around the Tunxis campus again as a step towards teaching. 

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REALITY?: Breakfast

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