WRITING & EDUCATION: Paths

Nothing like the out-of-season autumn coolness and the sound of rustling leaves to get one thinking back to texts and classrooms.

Swore off this as an end to a diploma, but always kept it open as an opportunity to grow and answer needs to a hungry mind or fumbling fingers, as in learning graphics software by oneself alone.  But there are tempting things about:  Creative Writing and Lit at UConn; Graphics at either Uconn or Tunxis; Philosophy at UConn; and there’s a CW course at Tunxis which I’ve taken but it is being offered with a different instructor so that (and price) would be a consideration.

Decisions, decisions:  where to go–if I should go at all.  There comes a time when you face yourself and say, What I write is good, but not great.  It maybe never will be.  How much more time, money, and heart–above all, heart–am I willing to put into this?

So maybe the summer or the fall semester will see me in a student desk somewhere.  Or maybe when the wind dies down, so too shall I.

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WRITNG: Blogging

It’s tough being a blog.

What you start out as is never what you grow up to be.  Writing was the theme of Spinning back in 2003, but personal journaling became a part of it as both an exercise in writing story and in telling all a bit about the writer.  Caught up several times in rants and ravings, it tried to set itself back on the track and added literature reviews that came in an unprofessional but more of a writer’s viewpoint.  But the personal cannot help but creep back in.

Having lost all but a couple of the inner sanctum of those who know the writer in all her barest flaws and foibles, I’m talking without so much as earrings on nor rings, the need to talk became instead the need to write.  Lost readers who either didn’t like the lit or current course reviews, or those who slowly snuck away in fear from the often dark swinging of the mood.

Hooking up with communities such as the great Metaxucafe is a mixed blessing.  Too often the headlines grabbed from Spinning turn out to be the idiotic ravings of a madwoman obsessing about her winter sand battles with the snowplows.  Too many posts per day and often the good ones are lost offscreen within an hour or two–and face it, how many read the archives?

The latest happy revelation is a mention here on Canopic Jar, an online literary journal that I’ve followed for a couple years.  Good grief, the link may bring their readers directly into the current legal battles here recorded; all I can do is weakly smile and offer a Sorry, folks, and read something really fast and add some posts to top the page.   (I will, I will, I will submit a story as they suggest.)

So a weblog needs to assert itself perhaps in some direction or another.  Or else it simply needs to be itself.

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LITERATURE & WRITING: McCullers’ The Heart… – Description in a Single Word

Carson McCullers has a way with words. 

I still tend to believe that the above is where the natural talent displays itself, and the skill is learned through study and reading.  In this novel, her first, there is an obvious extraordinary ability to provide setting in a minimalist manner, and yet it appears complete.  There is no overuse of adjectives, and little use of metaphor and simile so that the language is straightforward and yet gives us the image without extraneous detail.  This sentence stopped me cold:

The sky was a wonderful blue.  (p. 136)

Beautiful, wonderful, nice–these are not adjectives a writer is supposed to use because they are abstract, vague.  Had McCullers’ written The sky was a beautiful blue, it would have been a fairly useless sentence.  But the word wonderful in this context is unusual.  It employs more of a feeling of joy and brightness that gives the sentence more meaning.  This feeling is vital to this section of the plot because it does not foreshadow the near-tragedy that happens in this setting.

Nice twist, eh?  This is skill.

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NEW MEDIA: Delirium

Delirium is not quite new media perhaps, but just as this Cirque du Soleil onstage presentation uses new media effects it could be a base of ideas in creating a new media digital format of the show. 

It has been a while since I’ve been to any shows, longer since the few I’ve seen off Broadway.  But this looks like an exciting all sense-involving experience that I would really love to see.  It’s only here in Harford for two days (the website has tour informaion) so I’m not likely to go.  But this is something I wish they’d make available in DVD format, although something like this cannot be enjoyed in the same way with the intensity that being there offers.

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WRITING: Getting Older

Putting off dying, as much as real living.  Just walking and stopping and standing still looking around.  Ideas fly by like elephants with wings; are caught, inspected, and stored safe away.  Can’t plan nothin’ ’cause there’s too much to do.  Can’t do nothin’ ’cause there ain’t enough time.

Just hanging around, putting off dying.

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WRITING: Character

He walks into my kitchen looking seven days worse than last week.  The fingers, long and ghostly white, tissue paper wrapped on bone.  Back bent and shoulders hunching forward.  It helps the pain, I think, of looking anyone in the eye.  Shuffle left, shuffle right, one and then the other across the floor without his walker; he doesn’t think of the strong arms of his son behind him as the same thing.  How are you, little lady? he asks.  But the smile is more a slit of mouth through which his hardy rough manner squeaks out.  He coughs and waits until it’s over, then is slowly let down in his chair. 

I watch him eat but he will never look at me except, I note, when I am not watching him.  I learn, defer to his wishes, and  do not look him in the eye.  Soon he stiffly is helped up and shuffles out again.  I hear his Thanks for dinner! that’s thrown over his stooped left shoulder back at me.  I go back in the house as he is safely put inside the car and they drive back to the home and wonder what, come next week, he will be.

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REALITY?: Ethics and Argument

I posted something a few days back to the effect that the purpose of argument is to either convince your opponent of your stand or to understand and accept his.  Well, I don’t really believe that since there are other options of compromise as well.  One of the main goals of argument, I would think, is to see the other side; comprehend the opposing viewpoint and understand the reasoning behind it.  In this major purpose, no one need be right or wrong or change position.

In ethical argument this is particularly so, but in scientific and mathematical argument, proof may more easily be given, at least particularly so in mathematics.  There is a need for me to learn the reasoning and logical methods to arrive at conclusions, even if in the end, emotion wins out.

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REALITY?: Further Frustration

All of Them:  You take two-thirds of the expenses off the price of the house.

Me:  No, you take the total expenses off.

All of Them:  No, because then the two of you are paying her share.  Listen, we’ve handled hundreds of these things…

Me (thinking, Well, I’d start making some phone calls if I were you):  No, look here, see, you have to…

I may not be the most honest person in the world, but I do try to always be fair.  And though I’m not real happy with what my sister has done, I would not allow her to be unfairly paying double her share as she’d already paid all the expenses of the estate.  It is a confusing situation and I myself was not totally sure so I worked it out several ways and still checked with two genius friends and a CPA to confirm the figures. 

Sometimes you just give in, walk away with either a glib answer or retire and give it up because you know they’ll never really understand.  But this I cannot easily walk away from because other people are involved and it is important.  I am so very tired.

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LITERATURE: McCullers’ The Heart… – Awesome: Character-Driven

I am well on my way to being awed and intimidated by McCullers’ writing.  This is one author I do want to know more about; natural talent? study of writing?  a reader? an observer?

The Heart is a Lonely Hunter is one of my favorite styles of storytelling in that the characters provide the drama through their reactions to the situation (I remember something from Aristotle’s Poetics that stresses the difference between actions of characters and events as the point of story).  While each character is allowed to be turned inside out by the narrative omniscient third person pov, McCullers slowly reveals them then places a very simple event in front of them and we get to see how they react, learning even more about them in the process.  These characters–mainly, Mick, Jake, Dr. Copeland, and Biff–each seek out something beyond their world and their disillusionment with it.  They each feel apart from the rest of humanity and each seek a different path.  But they all seem to find some measure of belonging with the enigmatic deaf-mute, Mr. Singer. 

Is it the fact that he doesn’t talk, doesn’t argue, doesn’t try to change them or their views?  Their hopeless and helpless feelings and desire to belong and yet change the way things happen is met with such disappointment in the world.  Does Singer provide for them an ally of sorts?

Continue reading

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REALITY?: CSI

It just dawned on me in watching CSI: Miami:  Horatio is the only one of the CSI groups (NYC, Las Vegas, Miami) who never has to perform any of the lab tests and rarely if ever goes into the autopsy room.  He also gets to talk slow and wear sunglasses.

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WRITING: Anthropomorphism?

Grey sky grumbles thunder, black cloud furrowed brows above eyes flashing in anger.  Discontent, frustration give way to tears of rain.

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LITERATURE: McCullers’ The Heart… – Conflict

The tension that arose in the reader’s mind for the party to go well for Mick, given the knowledge of her character and her tendency to not quite fit in with her peers, does come about when the boys and girls are reluctant to mingle and the party is crashed by neighborhood kids.  But there is no real conflict that sets it off, no turning point that changes the mood except for Mick’s noticing the difference in where the partygoers group together, and a louder commotion caused by the crashers, but the conflict is rather anticlimactic in my mind, and in fact, Mick does the wildest thing by running down the street and jumping into a ditch thus ruining her fancy borrowed clothes.

There is another, deeper tension going on between the hired help at Mick’s house, Portia, and her father, Dr. Copeland though Portia does her best to keep peace. 

Continue reading

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NEW MEDIA: Links

There’s always an intriguing assortment of links on Anne’s Ample Sanity, but these two I checked out this morning bear following further:

Splotch – An exciting bombardment of work on the cutting edge, videos included, that may come to represent the new arts/lit journals of the future.

NFB Animation House – Offers examples of what artists are doing in the new media format of short film in telling story.  Click on the "Hot House" link.

The web is becoming a fertile field of art and literary accomplishment accessible to more people than the work would otherwise be.  It is providing to both artists in every medium and readers and views alike the opportunity to share and to enjoy.

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REALITY?: Mathematical Probabilities

I would love to know the statistics that might give me a clue as to why the last four tablets of any vitamin mixed in with the new bottle remain till the very end of that new bottle as well.

Try it; all you need do is buy the pills in a different color or shape to prove out my theory.

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REALITY?: The Stones!

Ooh-ooh-ooh!  Go check out 2 Blowhards post on The Stones in the 70s, complete with videos.  Mick Jagger was always one homely SOB but "Dead Flowers" was one of my favorites and the other is one I don’t think I’ve ever heard, "Far Away Eyes."  It is a terrific video because it’s all closeups of the guys and a neat song and it looks like they’re having fun with it.

Thanks, Michael!

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