WRITING: How Others See Us…

This is just too funny.  A customer just left the shop and we’d just talked briefly but she said that I’m always so "bubbly."  Now the last thing I could ever be traited with is "bubbly."  Anyone who knows me well enough knows that morose, moody, even manic-depressive might be applied, but this lady, on each of her visits, must have just hit me when I’m flying high.  Not on drugs (though it might be a good recommendation) high, and not the high when I’m passionate and off on some crusade hanging on for dear life to a trusty white stallion high; but the nothing and nobody’s bugged me badly enough today high that produces at best, a willingness to smile.

Perception, it’s all in perception.  How we view others, how we see them, and how we through words can read and tell someone’s story.

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LITERATURE: Ethics Theory and Practice – Terms

I am enjoying this book though I’m taking it slow.  Just to understand and relate to something and find the correct term, such as the difference between cultural relativism (different cultures have completely different beliefs about morality) and ethical relativism (taking it further into believing that what is right for that culture is morally right for them).  I have always leaned towards this latter stance, whether grounded in Catholic teaching that for a mortal sin to be mortal it has to 1) be seriously wrong, 2) the sinner must know that it is seriously wrong, and 3) go ahead and do it anyway, or otherwise personally established standards.  It is my basis for excusing and an attempt at understanding the terrorist activity of 9/11. 

But the book leads us into areas that cannot be so readily answered.  Reason must enter the argument and that’s not as simple as it sounds.  Opposing viewpoints, pros and cons on each side, proving, arguing, until a viable and maybe not ultimate but a reasonable conclusion can be drawn.

This getting my feet wet in ethical theory may not put me on one side or the other of issues in firm standing, but I hope it will offer me a way to travel the road to an end.

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WRITING: Short Stories

It doesn’t really worry me since in the end, I think it doesn’t matter.  It’s just that I’m having a hard time going back to revise and edit at least two of my recent pieces or even open up the files.  It seems like I just don’t want to even look at them again.  I open Word and go instead to a folder of a friend and work on editing some pieces there.  There is no emotional involvement here.  It’s easier.

Maybe it is because I’ve been away from the format for a month or so, devouring novels and philosophy instead.  Maybe it’s because I’m feeling helpless or even hopeless or a new confidence in new yet unknown directions makes this need to turn my back on things that drain me of feelings extend to writing too.

Strange, to watch from somewhere else inside me, the closing of an era.

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WRITING: Workshop Online

One of the finest writers on the weblog circuit is Ellie at This is My Body, This is My Blood.  She is a published author and her style is one of honesty struck through with humor and sensitivity that reaches in and pulls you into her life and her extraordinary way of looking at her world.

Ellie is featuring a workshop on journaling starting in June called Journaling From the Heart and if you’re interested in developing that voice that needs to share, and finding the words to put it into, this is well worth considering.  It is free (though donations are welcome) and the freedom with which Ellie lives her life is reflected in the guidelines listed on the website.  Check it out.

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REALITY?: Search & Rescue

Dear Lord, I hate fast fluttering things.  Butterflies that fly too close, grasshoppers and frogs that jump nearer rather than away, voles that zip round the floor beneath my stool where I am perched at work.

Last Monday it was a chickadee, today a sparrow.  Dancing in the feeder just like a plastic ballerina in a golden glassed-in case.  It is my fault, the feed ran low and stretching in beneath the glass to reach the seed they lift it, don’t realize they’ve gone too far and end up on the inside looking out.  Walking over slowly, murmuring soft and soothing, I lift and set the top back to the sky.  "Lift!  Lift!" I tell him, "You need altitude," I say.  He stops his frenzied useless flight and watches warily as I walk away. 

Five minutes later I peek out and he has gone.

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REALITY?: Morning Show

I love the five o’clock morning time.  Color only within touch, the horizon a ragged line of black leaves waving gently in a higher wind against a milky blue empty sky.  A bowl of morning curves away from me in the backyard.  A crane heads from the river to the fish hatchery, a black silhouette that looks very much like a pterodactyl I imagine, slow waves of giant wings, crooked neck and dragging feet like jetstreams in the air.  And noisy, oh so noisy with the chirping cheeping squawking whistling tweeting of the birds unseen as yet. 

This operetta goes on every day and yet is still a wonder.

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LITERATURE: McCullers’ The Heart – Tension Through Character

During the first week she walked up and down the halls by herself and thought about this.  She planned about being with some bunch almost as much as the music.  Those two ideas were in her head all the time.  And finally she got the idea of the party.  (p. 88)

We have followed Mick, the young girl through a few of her days, known her thoughts and her dreams through third person omniscient POV.  She’s tough, she’s capable and dependable, yet she has desires and goals for herself that reach for the stars.  She’s no girly-girl, and she knows herself well.  Now, in her desire to be part of the new class of friends at the high school, she is planning a party and invites forty boys and girls.  We wouldn’t have thought this would matter to this loner, and with the knowledge we have of her, fear for disaster ahead.  Perhaps with King’s Carrie in mind.  Perhaps with the exerience of McCarthy’s Suttree and Steinbeck’s Cannery Row, we hope yet we fear for these vulnerable characters against a world in which they barely belong.

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WRITING & EDUCATION: Incompatible Perhaps?

I’d thought I’d walked away from this, freed myself of caring enough to fight, bowed out gracefully and after a suitable grieving process and rehabilitative thinking and some self-pitying wound-licking, put it all behind me.  I really need a sharper blade to cut the ties that bind.

It’s not a dead issue within me, as evidenced by this recent post, but close to home I had to give it up.  Then this headline in my local weekly news:  "Arts and media programs at Tunxis put students on path to exciting careers; summer registration now under way."  (Tri-Town Post, May 19, 2006)

(Please note that "under way" is incorrectly, I believe, separated into two words, which is the correct spelling for its use as an adverb whereas the adjective form, as in this case, should be one word.

They’re right–arts and media is where it’s at and why I’m late to dinner but holding out for leftovers anyway.  But within the brief article they mention graphics studio, digital and conventional photography, including black and white darkroom developing and print, technologies used in print, web and multimedia environments, advanced image creation, manipulation of software tools, special effects, graphic illustration techniques and advanced typographic functions in computer graphics. 

To be fair, they start out with "From graphics and photography, to journalism and marketing, arts and media courses…"

Journalism at least, I should hope, may include some instruction in writing.  But hey, let’s just be satisfied that maybe the pretty pictures will overwhelm the text or audio rendition.

To me the purpose of argument is to arrive at either one outcome or the other:  Convince the other person of your conviction, or be (often happily) proven wrong.  I have to leave before I’ll ever know.

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REALITY?: Imbalance Balanced

Pouring rain and sunshine, pouring rain.  I am so one with the New England weather it is difficult to separate our moods and say which drives the other.  Conflict reigns within the soul of each.

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WRITING: Deadline

Bad poetry aside (I never bother longer than a day to rewrite poetry since it is only a release in which I think I’m cleverly hiding feelings beneath metaphor and thus eliminating some at least of the woe-is-me posts), I am facing that annual deadline once again of being cut off during the summer close of submisions.  This 2006 deadline represents the mother of them all.  The end of energy and passion put to a hopelessly unrealistic goal.

So I must polish up the couple stories that I have and send them off before month’s end I think, and for the last time wait upon the verdict.  I may still write short stories for my own amusement and just to get them out of the English Muffin nooks and crannies of my brain, and may work towards a novel or maybe just play around with Flash–but that will be it; passion having dwindled down while more urgent needs loom large as they say, on the horizon.  One of those needs is to learn how to function on Earth.  I had a great story working in my mind this morning, "Discovered–The Lost Dialogues of Plato" in which I’d proven life exists in other space beyond our own.  Important just to me, I suppose, since once again I have that feeling that absorbed my teens and early twenties that I just wasn’t from around these here parts.

For me, self-publishing is not an option.  I’ve done it many times already as editor of three magazines that needed fillers.  And with the many weblogs where I write, there is no longer any boost to ego seeing my own words lit up in pixels 1680 x 1050 on a screen.  Glad to have rediscovered reading, my time is well spent in that alone.

So maybe I will be posting lightly here and maybe not.  Most likely not since someone seems to have gotten their quarter stuck in my prolific slot.  2006 is a year of many changes that include discoveries I need make room for; necessitating I suppose the leaving behind of relationships and workloads that shall never indeed produce a single fruit of sweet and satisfying taste.

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POETRY: Trails

From here to nowhere lies a path
worn slick as glass by stumblers on its way
no one footprint distinguishable from another
washed smooth by rain two steps behind.

The signposts clear along the way
sharp-edged as shaped by a diamond cutter’s tool
followed firm in dogged trudge
determined to leave nothing far behind
except a dreary goal well-lit by fire.

Down the road a cheer is heard
friends and foe alike stand waving palm fronds
in the gusts of changing wind
terrible and silent to the traveler’s ear.

The hours hang like oaken yokes upon the walkers
last lonely steps passed trembling-kneed and weary
a mocking victory feast laid out upon the table
set out with goblets of water turned to bitter wine.

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LITERATURE: Ethics Theory and Practice – Comprehension

It don’t take much lately to make me feel even a tad bit better about myself and this was my boost for the day:  In Ethics, the first essay presented is Plato’s Crito, which I just read last month on my own and in some of the references to Socrates of other works I at least can relate to without feeling the dummy. 

Ethics is not really a textbook as I had thought, but evidently it has been used as additional course material by some instructors.  It is an easily understood piece of work, and one of the things that I do like is that I see it has chapters dedicated to specific issues such as abortion, justice, the death penalty and health care.  It also seems to be in a form that appeases the need in some small way for classroom discussion by showing both sides of the argument, and in pointing out the path of clear reason. 

I’m glad I picked this book up at the sale.  As an aside, I’m also very curious and would love to know who in Harwinton–where I lived in sin for six years–donated Writing for New Media.

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REALITY?: Movingthroughtheyears.

Working with a long-time customer, fussy with her so carefully stitched embroidery.  We catch up on what’s happened in the time since she’s been here; yes, Jim is working now; no, I graduated school last May. Yes, he’s working back at xxx, the best part being the necessary benefits.  Well yes, I would’ve gone back to work full time myself but no one would hire me.  Pardon?  Oh, it was in liberal arts in English.  Maybe I can be a Walmart greeter, I sarcastically supply.

Moving on through benefits to diabetes, sugar, diet and cholesterol.  Exchanging LDLs and HDLs in numbers–though neither one of us come out the winner.  She’s older, but she hates to have accepted even four pills daily and she seeks from what I’ve told her, maybe another opinion or at least a dietitian to help her out.  Me, no, I tell her, I don’t take any.  I really would prefer to die a natural death. 

She laughs, but the laugh is high and tinny in the air.  I’d forgotten; she is older.

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REALITY?: Yesterday

Yesterday was a setup for failure; good friend unable to make it to lunch and a wary spouse eyeing the shrimp I served for dinner instead.  Oh, you made them for her…

More money than books at the library sale, though two I’ve started reading already. 

And a husband depressed because for the snap of a spring, his Skag mower just goes round in circles.  Worse, I find from my neighbor that he’d been there to borrow our key since he locked himself out with the sillyass mower.

Let’s see what could happen today.

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REALITY?: Reality

Just noticed this post was empty on site.  I don’t have a clue what I’d written here as a post and maybe deleted, maybe just lost, or maybe never wrote it at all.  By the title, it appears that it might have been another of my deep philosophical thoughts brought about by the backyard.  But I don’t know, and evidently, neither will you.

At least it’s not the one about the tiger in the backyard that appears below; I sorta liked that one.

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