LITERATURE: Critique & Review

Writer and literary critic Daniel Green (The Reading Experience) has set up a new website that will offer critical literary essays which, knowing Dan’s work, will offer professional indepth insight into some of the most interesting writings of the day. While I do certainly appreciate the diversity of opinion and angles offered by the online community in offering literary evaluations, I’ve come to depend upon Dan for guidance in reading and well as how to define what is important in literature.

Critical Distance is planned as a “perspective on American fiction since 1980” and will focus on work that is of substance and may prove enduring, rather than what’s hot or current. While Dan has started out with an essay on Affliction by Russel Banks, it appears that he will be open to submissions on readings with a guideline of “-Critical essays about single texts that through close reading and other analytical methods make a case for the work under consideration as an important work of fiction.”

I’m sure Dan will create a following from his readers of The Reading Experience as well as draw from an audience thirsty for discussion of literature.

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REALITY?: Taking care of business

Which in my life, includes trying to coax the oriole away from the hummingbird feeder by giving him a half of an orange all his very own.

I’ve been talking to him through the open kitchen window and so he doesn’t fly away each time I happen to be at the sink anymore. Maybe I can even get a picture of him. I’ve placed the orange in a cup right beside the hummingbird feeder in the windowbox (no flowers planted yet) to sort of move him away gradually since the hummingbirds aren’t real happy about sharing with each other much less this large orange and black thing that’s five times their size.

Oops, gotta go–the cardinal is chirping at me from an empty seed feeder.

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LITERATURE: House of Leaves – Opening

Opening the story in the first person pov, we are hearing from a man about an experience in his past that tells us right in the first sentence: “I still get nightmares.”

What follows as an introduction is the setting up of an event where the narrator was seeking a place to live, was told by his friend of an availability in his building when a resident, Zampano, dies, and the unsettling exploration of the man’s room after his death by natural causes. So we’re getting the idea that there is a scary mystery involved and this is where it is focused. We also know that no matter how frightened the narrator is, he is alive to tell the story.

The typeface is large, bold, different; obviously meant to appear as a personal entry by the narrator as typed on a regular typewriter. This intimacy with the reader is heightened by another break in the fourth wall:

Truth be told, I was still having a hard time taking my eyes off the scarred floor. I even reached out to touch the protruding splinters.

What did I know then? What do I know now? At least some of the horror I took away at four in the morning you now have before you, waiting for you a little like it waited for me that night, only without these few covering pages. (p. xvii)

So Danielewski reached further through the wall not only by the narrator speaking to the reader, but by suggesting that they are truly sharing this experience but that thanks to his foresight, the narrator is granting the reader an edge by this introduction.

Interesting.

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REALITY?: Huh?

Okay so the biopsies came back negative for Giant Cell Arteritis. That’s good news, and it gets me off the Prednisone faster. But all the blood tests haven’t come back to suggest anything else as yet, so it’s a sudden inflammation of the arteries to the head without any specific cause and I’m not so sure that it negates any possibility of it being just as potentially damaging (blindness, stroke) as GCA if it happens again.

And the beat goes on.

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REALITY?: Coincidence?

Got a chuckle from Charles Deemer’s post a minute ago; it’s all in the timing:

051509r

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LITERATURE: Up Next – House of Leaves

This novel by Mark Z. Danielewski has intrigued me for a while but I think it’s something you really have to be in the mood to explore. It’s likely not an easy read, and for once, I’m doing a bit of skimming of reviews just to get an idea of whether it’s something I really can wrap my head around right now.

Of course, I’m still working my way through the normal and traditional (and wonderful!) Chekhov and a few textbooks on code and software at my snail’s pace of learning. Been thinking a lot about taking some art classes, perhaps even working with clay, sculpting, but I’m not sure I’ve the time or the patience. Lotsa new things to fiddle with this summer and I’ve finally turned myself on to play in new arenas. House of Leaves just may be the inspiration I need to get off the path and lose myself in something new.

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LITERATURE: The Last Days of Dogtown – Finale

It’s hard to say why this book went from great to mediocre for me but I know that as I neared the ending I lost interest even in the characters that I felt Diamant had built up so well in the beginning of the novel.

The story held great promise, yet I believe that the rather mundane lives that are no better or worse than anyone else’s, the lack of tying in the metaphor of the wild dogs except in rather explicit and random methods, the lack of real depth of interaction within the more dramatic events, and the all-too-neat dying off of characters to enhance the effect of a desolate community that needed to come into the more modern and social world of the city was just too expected.

While I may try another of Diamant’s works at some point, I’m not overwhelmed by the writing style as anything more than proper form and at times, amateurish. It was a brief interesting enough encounter with the people of Dogtown but not an outstanding literary event.

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EDUCATION: Graduation

Congratulations to all graduates this year on achieving your goals, along with good wishes for your continued success in the pursuit of higher learning or with the beginning of exciting careers.

So as not to offend or cause damage to anyone’s self-esteem, congratulations to all those who didn’t graduate as well.

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REALITY?: Deeper and Duller

I come from a world that takes insult at a label inside an oven door that warns you of danger if you or your child stand on the oven door because the oven is liable to tip.

I come from a world where people were taught intelligent reasoning and experience and wouldn’t think of standing on oven doors, or eating lead paint, and having parents who watched over them as best as they could to insure that safety.

I come from a world alien to that in which I am living, where mediocre is special, and it is politically correct to ignore truly special for fear of upsetting everyone else.

I retreat.

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LITERATURE: The Last Days of Dogtown – Telling Feelings

Not what I’d expect to find in a bestseller:

Easter saw a fellow across the table roll his eyes and realized that she was making a fool of herself. She rushed off to get his tea, redfaced and flustered.  (p. 219)

Two sentences that follow an encounter and a dialogue between Easter, now working at a town tavern, and a handsome young stranger. The sentences tell us that Easter is tipped off to her own behavior–that is, making a fool of herself–by seeing another patron’s reaction. The second sentence, though it is action, is repetitive: She rushed off, redfaced and flustered. All this is unnecessary filler. Better might be: A fellow across the table rolled his eyes and Easter rushed off to get the stranger’s tea.

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LITERATURE: The Last Days of Dogtown – Motif

While it would seem that the pack of wild dogs that wander in and out of the story would be one of the obvious motifs in this story of Dogtown, I’d have to say that while Diamant has brought them in at the opening of the story and mentions them now and then in relation to the residents that take them in, they are not a huge force of any sort within the narrative.

Judy Rhines has a special relationship with her dog, Greyling, and eventually Oliver and Polly keep a pet, but there is little to indicate that the dogs have come to depend upon the people, have any special protective instincts towards them, and they are only brought up in this late chapter again as a ‘group’ of any meaning.

When Ruth first arrived in Dogtown, there were nearly twenty-five dogs in the hills, living like a nearby but separate neighborhood, at peace with the people next door–a little standoffish, perhaps, but friendly enough. By the time Easter moved to Gloucester, there were no more than eight of them left, and those few were bony and mangy.  (p. 216)

It’s true that as the characters of Dogtown age they move away from their desolation and into town where they are more easily able to survive and get around. Perhaps Diamant has mimicked their abandonment of their homes and way of life in the gradual dying out of the pack, but it’s as an afterthought, almost a contrivance that wasn’t established all that well anyway.

Metaphor, motif, and meaning are astounding tools when used correctly. It cannot be forced or obvious, and here again, Diamant disappoints.

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LITERATURE: The Last Days of Dogtown – Style

Whether it’s the difference between reading with a pounding headache and reading with a clear head or some other quirk of time and space, I’m finding the writing quality of this novel going steadily downhill towards the end. It feels like Diamant has lost interest or is making up a word count. After building up some wonderful characters, she leaves them leading ordinary lives with little real drama or further insight into their minds except by telling us how they are doing.

This scenario takes place as Judy is called in to help treat the inflammed knee (I was going to type ‘joint’) of Cornelius whom Oliver and Polly have found and taken in. The problem here is that this could have been a huge emotional scene: Judy and Cornelius have not seen each other in a while, Judy does not know that her former lover has stayed away to protect her. In his semi-delirious state he calls her name and it tips the others off to a more intimate relationship than neighbors:

But Judy’s distress and Cornelius’s tone of voice signified something more than polite exchanges between neighbors. Polly wondered exactly what they had shared, how it might have started, why it had stopped, and how such a secret could have kept in such a small, gossipy place. “Poor things,” she said.

Oliver frowned. He had tried to forget his boyish dreams of winning Judy for himself, and thought of her only as his auntie–his and Polly’s, as well as Natty’s and David’s. It was unsettling to think of her in any man’s arms, and for it to have been Cornelius seemed even more out of the natural order of things. (p. 192)

Diamant tells us that Judy is in distress, Cornelius’ tone of voice indicated the relationship, Polly is wondering about it, and Oliver is as well, questioning his motives in thinking of his past crush on Judy versus the inter-racial aspect of the couple. Wouldn’t this have been better said in having the characters react rather than stand around and think? There’s also the reminders of the past–Oliver’s boyish dreams, Dogtown being a small, gossipy place–that I would think are unnecessary here since we’ve already been settled into the environment and comfortable with the characters.

Just seems like a lot of excess storytelling here and I’m a bit disappointed.

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WRITING: Letting Life Go By

Tried one last time to stir people up to stir me up to decision on those stories and just didn’t get fired up enough to try reading them again. Sometimes you just get sick of your own stuff and after the initial ‘wow, this is great’ comes the realization that it’s maybe not so great and fragile artistic egos are too often ready to accept their failures.

Still have two weeks for a few more journals, but I’m sure that I’ll just watch the deadlines slide on by just as I’ve done with scores of others.

Maybe it’s time to get serious and try a longer piece. It’s been twelve years since I wrote up a novel (it’s somewhere’s down the cellar now) and maybe it’s time to focus energy instead of scattering.

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REALITY?: Borders

Sitting in the doctor’s office yesterday, caught a Calvin Klein ad in Rolling Stone that sort of set my mind ill at ease:

051309rTo each his own, and sex is great and all that, but a young woman with three guys is not what I would call a good model to represent to the public as a normal standard. There are more ads at the Calvin Klein site here.

Where do we draw lines? This ad is in a magazine that is available in a doctor’s office. Is this what we want kids to see? In any fine arts museum there are more explicit scenarios to be sure, so it is difficult to decide what is art and what is ‘normal’ and what is porn, etc. Advertising somehow doesn’t seem like the proper medium to be pushing the envelope however. If the government has decided that tobacco is harmful and so doesn’t allow advertising any more, there must be standards set of some sort as to what might be considered a more private decision as to sexual play.

Other questions are raised; if the above is okay, then why are multiple partner marriages considered bigamy and illegal? I can see that one being challenged immediately after the male/female marriage base has been challenged and changed. And how about age? Why isn’t a girl or boy ready to wed at twelve? And more worms in the can: How can you claim that anorexic models and an impossible sense of beauty standards are damaging to self-esteem and unrealistic, and then allow advertising with a multi-partnered sex arrangement as not having an influence on human expectations of what’s real and okay?

I would agree that the image is beautiful, but is it tasteful? Not as an ad for jeans. Maybe for experimental sex.

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REALITY?: Finally, Food!

051209rHaven’t been quite able to produce anything complicated in a couple weeks, but today I’m making stuffed shells. In my semi-conscious state last week I thought I bought a large container of yogurt, but when I looked in the fridge I found a Ricotta Cheese container and figured I’d make lasagne or shells next time I went to the store. Before that trip, I did find the Yogurt, checked the Ricotta container to find it full of homemade soup, and realized that I didn’t need to buy pasta.

But of course, I forgot that when I went to the store and did indeed buy some ground beef (Jim doesn’t like the cheese as much) and a box of shells to stuff. Then I found out I didn’t have any Ricotta. So then I got creative.

With cream cheese, mozarella, parmesan, a couple dollaps of sour cream, egg, garlic, and herbs, I made a cheese filling.

For the meat, I usually add in spinach but because I didn’t have any, I added in a leftover jar of roasted pepper/artichoke bruschetta, garlic, mushrooms, parmesan, mozzarella, and spices.

I love cleaning out the refrigerator and using these leftover items. Sometimes it comes out the best ever; never ever to be replicated again.

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