REALITY: Health Alert

As a onetime volunteer ambulance driver and EMT, I can’t tell you how happy I am to have come across this article about using USB drives just as Medic Alert bracelets giving medical information. 

Once in charge of a blood pressure clinic regularly taken at the local Sundowners Club for the town’s elderly, I not only pushed the folks into filling out short medical forms of pertinent information and storing them in their home refrigerators in bright colored vials where we were trained to check for them, but had made up a book that was carried in the ambulance at all times containing the blood pressure stats on those of my elderly folks who agreed to allow it.  I realized that while I was used to the peculiarities of each of their readings, other medical personal on duty would not be as familiar and might mistake a particularly high reading as a danger sign whereas I knew that it was normal and controlled by medication, or worse, a low pressure reading as normal when it in fact might be a serious sign.

The USB drive can obviously give more detailed information about patient meds, history, doctors, etc. and I can see it as becoming essential on ambulances and in the ERs.

God bless whoever thought of using technology to this end, and I don’t care if he makes a ton of money from the idea.

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WRITING: Simile & Personification

Was thinking this morning about writing elements, and in particular, about my own cockamamie way of using simile in conjunction with personification.

For example, in a recent poem about the wind, I compared it to a gypsy juggler.  Most people would write about a gypsy juggler and compare him to the wind.  It’s okay though, because I personified the wind by giving him "blue fingers scraping at the earth."

While voice certainly implements the basics with its own personality, I wonder how revealing of the writer that use can be. 

Nobody really cares (or should) about who wrote something–the work should stand on its own.  Unless and until, of course one becomes established and the thread of voice is present within all which is written, and therefore a likely clue or element to the piece, such as Poe on drugs vs Poe depressed, etcetera. There’s no getting the Poe out of his poetry; his work is imbued with his presence and he has indeed achieved immortality in his words.

But nothing stops the writer from looking closer and analyzing his own tendencies and twists of language.  So I wonder, do I feel I understand human nature better than nature itself and simply feel more comfortable with this analogy?  Or do I see nature as transient and mortal as man himself?

Or does it mean nothing at all.

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REALITY: Memories

As I put away all the things of Christmas, and of the year past as well, I come across two little figures of a snowman and snowwoman, smiling, dressed in gay green and red scarves and little more.  This is part of my own tradition, started when we first were married fourteen years ago; a matching ornament couple for every year–how could I not have trimmed the tree?

But the year had been a hard one, filled with loss and grief–but joy as well; for even as I lost two dearly loved ones, there were five more that came too close that I am grateful for escaping tragedy.  Job and school and money worries now seem trivial; whatever happens is surely survivable, and if not, then faith alone is what carries one forth from there.

And while the winter is a cold and bitter time, the softly falling feathers make up a bed of snow that sparkles when I turn the back porch light on in the night, and the tracks of something that skittered across the patio in passing, do lead somewhere, don’t they, after all?

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REALITY: Technology-driven

Time to admit I have a problem.  I live for my computer.

While my winters are usually spent in a semi-hibernative mode, rousing when driven by need before snuggling back into a stupor on the couch at all odd hours (tonight, slept from somewheres after seven to after ten, but usually wake at around two in the morning), I’m finding that the first thing I reach for when I awake is my laptop.

Yeah, yeah, I can justify the use by necessary classwork, writing whims, creative impulse, etc., but it seems that wherever I sit, Del’s there with me.  I’m actually surprised my computers last as long as they do since they’re on 24/7, and only get a rest via their slumber function to take advantage of my own internal time clock for a catnap between duties.

Actually, this realization of my own dependency makes me realize the necessity of getting back to fixing the computer (my dad’s) that we gave to a five-year old whose family couldn’t afford one, but the little boy (at the daycare in Bridgeport where my sister works) was so hot on computers that we wanted to make sure he had one.  I’m severely traumatizing him, I’m sure, by not getting it back to him within a couple weeks.  But then again, it looks to me like he or his mom wiped out the hard drive.  I’ve got to look into it first thing in the morning.

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NEW MEDIA: Silent Hill 2

Good grief.   Relative to the post below re the mature worker and working (playing) at New Media, I’m getting all the self-fulfillment and heart-pounding exercise I need.

Can’t believe I’m so hooked on this thing to the exclusion of everything else but writing some poems and stories when the mood hits.  But a short half-hour session in the game and man, I’m exhausted from the stress!  There is so much more reader involvement in this form of narrative, and not just because of the mystery solving/horror genre; I’ve grown up on Creature Features, Nancy Drew and Poe.  It’s the emotional and mental energy expended and dedicated to the story and the character.  It’s virtually hands-on, and I’m not sure whether it’s the visuals that make it more involving–though I doubt that; imagination usually would tend to make it more personal, allowing one to customize the character (he’d look like Willie, but move faster I would hope) and the setting (would make the town look a bit more like Litchfield center probably).

But it’s a very interesting phenomenom and quite a fun (and year-shaver) experience.  Love it.

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NEW MEDIA: Its prospects for the older writer?

One thing I have noticed in the past year of blogging, is that one of the more common reasons for closing weblogs is the feeling that one has run out of things to say.

Now this is probably more true with personal blogs rather than those based on particular topics, but what I devilishly have thought of here is that it in fact makes this an excellent medium for the more mature writer.  Although there are still those who haven’t thought it through that the older one is, the more one is more likely to know, as honestly, we haven’t stopped thinking after the age of twenty-two, we just have that and X more years of experience–including what’s happening in the world this very moment, just like everyone else.  Soooooo, we have lots more to say and will be less likely to run out of words.

Now, if we could only get paid for it.

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REALITY: Shower Thoughts

Tried to recapture that old creative feeling in the shower this a.m., where thoughts, it seems, are caught within each droplet joining into wet sheets of warmth that run from head to toe and spark up all the senses.

My first thought was of an orange–well, a clemantine, exactly–and how such a small common ball of fruit is fruitful in its feeding all the senses.  Bright, brighter, brightest of the secondary colors. The textures–orange peel of course, the first one thought of; yet the soft, felt-like feel of the protection of that cream-white inner surface.  And the plump yet giving segments, each in its own resistent veil that pierced discloses tiny sacs of pulp with all their sweet juices within.  The aroma of the fruit starts with the peeling, and changes as the layers are attacked and won.  And finally, the prize of taste.

Then just when I began to feel that this was a forced creative exercise, the water running off my head created a curtain of my hair over my ears, and for a while I was in another world.  Outside sounds cut off, yet water pounding somewhere from the top an seemingly inside my head, produced such a feeling of detachment from the world.  Heavenly, eyes closed, a space in which I found such peace and solitude yet felt as one with all the time of present, past and future.  I don’t really know just how long I stood there, but broke the spell before I drifted into a self-induced hypnotic trance.  It was awesome, and I never could, with some attempt, repeat the completely perfect position that brought me there again.

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WRITING & REALITY: Morning

Black mornings promise everything, if the eyes can be believed.  Well hell, there may be lilacs blooming out there now.  But the air smells of snow, and the quietness speaks of change, and as I pull my robe around me I realize there is cold.

I stick my tongue out in the space to taste the dawn and find it cool and clean.  And though my eyes held opportunity and conjured tales of new green leaves, I doubted and find the truth comes with the light.

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NEW MEDIA: Physical Interaction

Besides the use of a mouse or keyboard versus flipping pages in a book, and relevant to Silent Hill 2, I’ve adjusted to learning different finger maneuvers (not just the usual ones I use when I’m upset).  I can make James walk like a normal human being by keeping three fingers on the keys and automatically making him smoothly navigate corners and change directions.  He very rarely moonwalks any more, or goes the wrong way (except that he is being manipulated by a directionally dysfunctional human being) unless we both get too excited when we’re threatened and start moving in jerky circles and end up with our back to the enemy, then squat instead of run. 

And speaking of physicality, I did try to keep in mind James’ physical needs and had him poised at the potty once, actually thinking something was in the bowl because of the camera angle change which is usually a tip-off that something is there to be examined.  Pressing the action bar a couple times, I was rewarded with this that just cracked me up:  "There is nothing that needs to be done here."

Gee, I’m learning so much from this video game excursion.

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NEW MEDIA: Silent Hill 2

Okay, so I’m not the best video game player in the world; but I am now a first rate cold-blooded killer. 

And, a game addict.  Figured I’d better admit that right up front, although I’m sure you’ve noticed all the SH 2 entries here lately, and if a long-time reader of Spinning, are also aware of my obsessive nature.

I’m just learning the ropes and making some notes and maps rather than rushing around like a crazy person killing everything in sight (like I did for a couple days).  Until I’ve come to better understand the process, I at least am turning encyclopedia salesman by trying every door, and remembering where things are so I can go back if necessary (duh–like all the places where it said it was "too dark" to see or read, AFTER I picked up a flashlight).

Yep, it’s a whole new language, and I’ll be damned if I give up before I’ve learned more than "please" and "thank you."

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STORIES: (Don’t know yet)

Clever is as clever does
and clever never really was
reliable,
in estimation of itself.

Jared’s single thought as he fell swirling down the hot red tunnel was that he should perhaps have done a bit more research in his life, given more consideration to the theory of a God and an eternity.

There is a place
some time between our dreams and mass confusion
we hold the key
encoded with the teeth that grind up apple peels.

And Hell.  Jared should have, he now believed, read all he could to learn of Hell.

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REALITY: Life as a Popsicle

This thought has been swimming in my brain a while, put off for seeking eloquence, a better way of saying it, and yet if this be my last year (or the next one, or the next), time is of the essence then and bold or silly, let the words come out.

Suck the stick.

The sweet iciness of a popsicle–think about it now; the fulfillment of the senses, answering to heat and appetite and its prettiness of color, its smoothness running through your lips, and though my favorite is the blue, the scent of cherries that halos around the pink.  It freezes the tongue that lovingly wraps around its twin obelisks even as it feeds the need for cold and flavorful pleasures.  If one is quick enough, no melting will occur but in the mouth, no droplets wasted on the sidewalk or in the case of caution, in a napkin wrapped around the wooden sticks like mother taught to do.

Taste its  flavor, feel its satisfying and refreshing coolness, risk the brain-freeze and the pain for what its worth.

And while the idea wrinkles noses, experience the core of it as well, for it is just a different flavor and without it there could be no enjoyment of the icy goodness either; go ahead and suck the flavor from the wooden stick.

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NEW MEDIA: Silent Hill 2

Progress made at last, with the needed help from Steve to remind me to go back to my Interactive Fiction training to a) keep checking Inventory–often finding I’ve picked up items along the way that were vital to the story (as was the key to the apartment gate) and to b) keep seeking clues to the "story".  Meanwhile, I think I done cleaned this here town outta monsters–been carrying that board around with me through three trips through town!  (I wonder if anyone else who has played Silent Hill has tried using it to smash through locked gates!)

John’s theory as well, that the reader of IF (and gameplay) learns a new set of rules in reading the media form has proven true, and navigation becomes a pattern that the reader must learn and use throughout.  Oddly, I’ve just recalled my own introduction to IF, and how the learned responses were applied to reading static text until I shook my head clear of them  (finding them useless, naturally, in unchangeable text format) while I was in the thick of the study process.

Learning to read–and in the process, to write–all over again.

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REALITY: Much Betterer

My mood has improved with the discovery of a key that got me finally off the streets of Silent Hill and into a new area to explore, and a prime rib roast dinner with Yorkshire Pudding I made tonight.

Ah, life is good again.

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REALITY & WRITING: Mood

The rosy glow of the new year’s best intentions falls away like petals in a wind of grumpy mood.

I’m so displeased with myself for submitting a story that wasn’t finished, wasn’t polished, wasn’t anything near what it could have been had I looked at it again in a few more days.  Or maybe better never sent it out at all because I am finding all my faults in triplefold with writing lately. 

All the study, all the learning, all the practice, all for naught.  Improvement, yes of course, but from a starting point that fell at kindergarten level while I’m aiming for the Nobel Prize and currently at high school sophomore level in creativity and language use, and further behind, I think, in technical abilities of narrative and understanding what I’m doing, and feel a fraud, a fakir, a phony in the literary field I play within.

Humbling is the thought of someone laughing at my words, or worse, shaking heads and raising eyebrows, moments prior to tossing them away to float down into the darkness of the bottom of the waste.

Even here, I’m talking strange instead of clearly stating the emotion.  Maybe I need take a break from writing for a while.  At least at all attempts at eloquence and polish  (that’s polish, not Polish–in which I can only sing and pray, not speak nor write, and now I doubt my skill in my native tongue as well).  I’ll go make curtains, organize the cellar, or go make toast instead.

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