INTERACTIVE FICTION: Shrapnel

No, no analytical essay on the aesthetics of Shrapnel or lack thereof, just a question:

How do I get out of the woods when I’m with the two men who get blown away? I got away from the dogs by not going near the g.d. house, but now I’m stuck in the woods with these guys (Whitman?) and can’t get anywhere.

Boy, I’ve never wished so strongly that someone would please read my log and help me out!

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WRITING: Voice

My voice, he says, my voice—I must find my voice. I hurry home from class to look up just what he means—really means. Just one street from my house I need to curve around the garbage truck, and I wave as Jack and Rob look up and smile and wave. I give a moment’s thought to life in small New England towns where it is so easy to know each other–at least superficially. In my office I look through books and it turns out that voice is me; in effecting the tone, mood, action, character—all of it and how it is presented to the reader.

This morning before I left for class there was a sudden thunderstorm. I stood before the bathroom mirror and attempted to shape my still-wet hair into something socially acceptable outside my home. A low rumble of thunder and a popping noise as when a lightbulb blows but nothing had, and just within peripheral vision a flash of light not twelve inches from my knee. Surprised and curious, then a nagging sense of the annoying need to check all through the house because it obviously was lightning and may have settled somewhere to smolder and ignite after I leave. I find nothing, yet something happened. It is elusive and may be smoldering, just as my voice, in holding back.

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WRITING: Dramatic Irony

Do we ever think we’re good enough? Do we ever listen to the side that conflicts with what we have chosen to believe?
In “A Seasonal Life” the speaker, for all her focus on her family and a self-image formed from the past that still directs her future, does not truly see herself for what she is, nor give credit to those around her as themselves. She worries, hovers, spending her life trying to make things right for those she loves but sees her present through a cloud of the past, and acts accordingly—perhaps cheating all in her efforts to make up for unnecessary guilt. Spineless in a way, and lied to daily by herself in her actions.
I must go back to my Psychology text, and try to understand. But the obvious influence of Tillie Olsen’s “I Stand Here Ironing” is on this story.

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EDUCATION: Website

In surfing for information, I came upon what looks to be a most interesting and graphically neat website called Cyber English. Check it out: http://www.tnellen.com/cybereng/

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STORIES: A Seasonal Life (Continuation, Part V)

All through dinner I guess their moods by gestures and expressions. I’ve learned it is more telling than how they say they spent their day and have become the human thermometer of our lives. Sarah, fidgety, downcast, not meeting anyone in the eye, is either in one of her blue moods or something has happened that she chooses not to share. William and Christopher are deep in a discussion on technology; and Joshua, well, as with so much that youth allows us, he is impervious to stress. But I keep flicking back to Sarah with my attention, deciding there’s more than “Nothing” bothering her tonight. And there is something else abrew—with William, at least tonight. He usually never speaks of the pressure of his job, and with almost governmental restriction maintains the separation of church and state. Tonight he says, “Oh, I’m just starting to get a little fed up with Stevens,” but my, “What’s he starting up now?” is met with just a crooked grin and head shake that tells me it is reaching a more serious level in his mind. I make a mental note to scratch his back tonight; it always seems to give him confidence and calm. Sarah meanwhile appears to recover and brightly mentions she’d like to go to the mall with friends after supper. We readily agree because in truth, the shadow of a frowning Sarah can tend to put a damper on us all.
We lie in bed and I gently rake my nails along the length of William’s back. It makes him helpless as a kitten, and his soft murmurs are like a purr of satisfaction. I will take away the tension with this simple act of caring; genuine, and genuinely well received. I do, of course, still love him though in a different way I suppose than those troubled early days when we were young. Tonight we went upstairs to bed together, and that’s a change in our routine since our bodies seem to live in different time zones across the coasts. But he is mentally weary, and I am making a concerted effort to avoid the living room couch and break the seasonal cycle that lulls me to sleep while watching anything on TV. Soon I hear his breathing slow and I know he is asleep. I spoon against him and it feels so warm and nice. But practical becomes acceptable in any long relationship, and with his height I find it hard to breathe against his back, worried too that I will wake him with my breathing on his skin. I turn as carefully as I can to lie on my other side, and William, still asleep, turns with me and lays his arm across my hip to hold me close. Ah, this is so much better, and I am content for only a few minutes before I also drift away.

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WRITING: Autobiographical

I swore I would stop entering personal posts in this weblog, but in doublethinking the decision, isn’t this writing as well? My reason, goal, and intent for this particular log is to keep it oriented toward literature and the reading and writing process. Almost all of what I see herein (there’s that lovely word again) as personal is related to this field of interest. I’ve been told that I have a peculiar way of seeing things, of relating them. I find humor in many serious situations, and can locate and dwell on the darkness found in normal everyday life. Alzheimers can be funny at times–don’t condemn me for this statement; I have lived through it. And I can sink into a bottomless pit of depression over a single broken fingernail–when that fingernail is the latest in a series of little things that go wrong for an unreasonable duration, and I am open to it. Remember, we often cry when we’re laughing the hardest. Writers play with emotions; their own and those of their readers, and it is a skill to be learned.
Everything written is based in reality and turned into fiction only through perception. Sometimes things will simply come out closer to recognizable or even stated as true to life. Though I’ve not quite recovered from my Old People Day which is every Monday, someday I’ll tell you about my father and his attempt to turn me into a lawn mower repairman.

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WRITING: Climax & Resolution

I do feel “A Seasonal Life” is winding up to a point where it may be finished today as Part V. Lord, it’s never taken me this long to write a story. (That’s Lord Lettuce Head by the way. The Other One is even busier and I’m sure has never read this weblog at all — Praise Jesus! Say Hallelujah!) Since I am not really used to dragging things out this way, I wonder if writers who do take their time with the initial drafts like this must also find it necessary to read their work from the beginning to the point where he has left off in order to continue onward. While reimmersing the author in the story, it does tend to bore one after a while. I do hope I’ll get over it before I do the more serious editing. (Note: I must add reimmersing to my dictionarily deficient list.)

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EDUCATION: A Decision

I am at a crossroads in my life. Having received notice that I would be eligible to graduate with a General Studies degree this spring, I must decide my course—literally. Somewhere along the line I had mentally switched to Liberal Arts majoring in English, without formal notification to the school (I love to remain mysterious whenever the opportunity offers itself), which would mean an additional three courses to comply. Or, I can grab the diploma and run with it—acquire the house, the boat, the cars, the vacations in the Caribbean, the sitting around the pool eating bonbons, have it all—and still go on towards a Bachelor’s. I had been kinda hopin’ to be the Grandma Moses of the literary world and remain primitive, so it has taken me this long to take the initial educational step. Shall I make a conscious effort to decide what I really want to be when I grow up?

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WRITING: Style

I note that in my recent writings, my style has changed a bit. While I still tend toward the formal and attempt proper grammar (excluding the little problem I have with verb tense)—that has always been my writing style. In real life, I may pepper you with wannas and didjas. But I have put a serious dent in my run-on sentences and see that I have managed to come up with several that are short, staccato statements that Windows Word begs me to change from fragments. True, I’ve left out some needed verbs, but is this acceptable in literature? I believe that in studying poetry last year I have picked up some good habits that help condense sentence structure and overall flow of words. Sentence length also seems to impact tone and can advance action. In my school yearbook there is a note from a fellow student “To Susie Comma,” a testimony to my paragraph-long sentences in which I offered my reader several short quick breaths by inserting commas everywhere to ensure readability without fainting from lack of oxygen. Again, I guess I’m nagging would-be writers such as I to gain a mastery of the language by constant reading, learning, and writing.

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WRITING: The Learning Process

I’d always believed that writing, as well as visual art, is a natural talent, and have gone so far as to question whether the study of either is helpful or indeed a hindrance to an inborn creative ability. I remember an exchange student from Italy back in high school. I watched him as in just a couple sittings he completed a watercolor version of The Last Supper. I don’t believe I picked up a pencil for quite a while after that. But as I have learned, and earlier stated, it is a combination of this natural talent, the honing of the skills through learning technique, and the exposure to the medium that produces fine art. I’ve spent most of this day writing and reading (and all right, I did the laundry as well), and will write an analysis tomorrow on one of the stories that touched me. I’m just in too silly a mood to do so now.

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BLOGGING: Anonymity

In rereading some of my entries herein (here in this blog, I mean, but herein sounds more high falutin’), I notice that blogging ettiquette requires non-specific labels such as E. or M. be attached to those people in our reality who are vaguely or even more obviously referenced in a blog But I can’t help giggling; although a common practice of an era I believe, it just all seems to remind me of The Story of O.

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STORIES: Following One of ’em Here

I realized that perhaps a story written and offered piecemeal here such as “A Seasonal Life” may be difficult to follow with this blog-enforced structure of last entry posted first. But if I rearrange it so one click will give you perfect sequence, what test have I that I have truly held your interest? As writers, wouldn’t you rather be in on the process as it develops?

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STORIES: A Seasonal Life, (Continuation,Part IV)

From upstairs I hear the start of a normal sibling quarrel. Christopher’s voice a placating baritone to Sarah’s shrill soprano complaint. She needs more time to dress, she says. And Christopher already knows his lines to this feminine demand. They’re much too old for me to run upstairs to stop it and it dwindles down to pouting last words all by itself. Clomping footsteps down the stairs tell me Christopher is dressed and ready, and I turn to catch him coming up behind me.
“Morning, Mom,” as he kisses the top of my head; something he started doing since he grew tall enough to tower over me just three years ago.
“Good Morning, Chris,” I say, and wait for him to tell me about Sarah.
“Sarah will be down in a couple minutes, I hope,” he starts. I wait for more. “She takes so long in the bathroom every morning. Why don’t you get her up a half hour before the rest of us?”
I’m startled at this sensible suggestion, and rise to her defense against his father’s logic. “You know she’s always first one in the shower while you boys take another fifteen minutes to get yourselves out of bed. She’s always ready when it’s time to leave and she’s never held you up. It’s just her way sometimes to take a little longer. She’s a girl,” I hear myself say and immediately want to take that back because it sounds so condescending. Chris just shrugs, “I know,” he says, unaware he has stirred up my emotion, forgetting that and with what he was upset at all.
Sarah bounces in, cheerful and uninjured; she too has taken it in stride. Relaxed again, I watch them balance books, gulp down their juice, teeth gripping toast to free their hands to manage keys and jackets. I watch with pride and wonder at this ballet in our kitchen, which my children gracefully perform each morning circling around counters, chairs, and each other just stopping long enough to kiss me quickly as they twirl themselves out the door.
Act III finally makes his appearance, and I reach to rake my fingers through his hair as he attempts to dodge me. “Sleepyhead, I thought I’d have to go back up and get you,” I tease, because Joshua is still grinning. Was he, even on the day that he was born?
“I’m late, I know,” he says and waves a notebook as explanation—he hadn’t finished all his homework before he went to bed. He’s out the kitchen back door just as quickly as he entered, in a hurry to wait at the curb in anticipation, oblivious to the teenage stigma of a school bus-ride to school.
In just about an hour and a half I have the dishes done, house picked up, laundry folded, showered, dressed, and set my mood to quiet strength and tolerance. I pack the car and drive along the highway in a Volvo wagon that is yet another not-me part of me. I was happy with my Honda, but William says the Volvo is a better car. Reluctantly I try to fit the stereotype of Swedish ingenuity and design, but passable is the best that I can do. I find a spot to park in front, right near the “Greenwood Acres Nursing Home” sign and glide in as Volvos are supposed to do. Guiltily, I stand outside and light a cigarette to draw in the needed and imagined calm, unwilling to have cast the smoky scent upon the laundry I have loaded in the back seat of the car. I’ll hesitate, but steel myself not for the burden I’ll carry in, but for the woman I have come to see, William’s mother.
“Hi,” I beam; “You’re late,” she says, but nonetheless efficiently I put away her clothes in drawers and closets, empty the laundry basket in her room into the basket I have brought, before I try at conversation.
Does hatred have a stronger hold than love on heart and memory—for I’m the only one she still remembers as being me. While she does not acknowledge William, she still pleasantly will greet him every Sunday when he visits, yet my daily time spent fixing her hair and spoon-feeding her lunch is one that’s taut with tension and suspicion on her part. I chatter endlessly to entertain her despite receiving no response, aware it’s but an escalation of my twenty-year attempt to please her. Eventually I wither under the cool blue stare of the vacant eyes that follow me around the room she doesn’t know is hers. Distrust remains in the last vestige of her personality that Alzheimer’s has slowly eaten away. She doesn’t remember how or why, and has lost her sense of gracious solicitude, but she still sees me as her enemy, though Christopher she had always loved and accepted—is overseen as being only half mine. At last, a word: “Slut,” she says, and lifts her head to look directly at me. It’s part of the disease I know, for even twenty years ago, propriety would not have let her call me worse than “tart.”
Drained, I kiss her papery cheek and cheerfully tell her I’ll be back tomorrow, ignore the scowl and hurry out the door.
I sit here at our library, a story reader to the first graders and volunteer monitor almost every afternoon, and read the final chapters of The Trilogy—a book I haven’t read since college and enjoy now even more. I plan, as then, to follow this with Watership Down; I seem to need some rabbits in my life. My teeth have diminished in their clenching, but my jaw is sore from effort, and it takes longer than usual today to escape into Gandalf’s world. Marian has asked me why I don’t use library privilege to check out what I choose to read, but I am reluctant to remove especially this jewel from its vault. For that, and that I find myself unable to focus on more than one reading at a time; and the living story that goes on around me daily needs my attention more. I stay until almost five today, secure in knowing I will still make it home before the children who have blessedly planned activities all on this same afternoon.

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WRITING: Plot Progression and Story Line

In A Seasonal Life, I find myself looking ahead, and guessing where it is heading. But then I am reminded of Push, The Bully, and remember that I cannot merely advance the plot by putting words in the narrator’s mouth to achieve an end I have in sight. It must happen naturally, and the story must unfold by itself, in her own words. I’ve written more, but have to take a step back and make sure that I’m not the one orchestrating this, maneuvering to make it fit a pattern I have in mind. So, I’ll just wait a little bit and see what happens next. In Interactive Fiction the reader has a chance to offer input, but actually the author has almost full control over the story/ies that come out. Surprisingly, often a writer of non-interactive fiction has no control at all.

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INTERACTIVE FICTION: Decisions

Another major life decision made: Screw Autumn Muse. I’m going back into Schrapnel and see if I can manage to remain alive a little longer.

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