EDGAR AND I: A Conflict

Just came from uptown–our library is having an Edgar Allen Poe reading Thursday, October 30th at 7 p.m. I must go to class on Thursday nights! The reading is for children, Adults Welcome (Poe?). I want to go so badly and yet I’ve never cut a class.

I look up to Edgar, sitting happily upon his brick above my screen, and it’s decided. Spanish is something I still have trouble learning. Edgar has promised to meet privately with me late, much later after class that evening. We’ll talk and understand each other then.

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STORIES: A Seasonal Life (Continuation, Part III)

“Morning, Hon,” says William, and you’d never know he doesn’t love me. His smile is open but empty; devoid I think, of feeling that he may not even think to feel. He’s handsome still, with just a touch of graying in his beard, a touch of paunch barely noticeable in the perfectly tailored suit I made him buy—that one time he went shopping with me, and tolerated both the tailor and I fussing through two suits, three jackets, seven slacks. The ties and shirts I pick up without his consultation; plain white, light blue, solids and pinstriped. Once long ago I gave him a navy and burgundy paisley tie that he has never worn. I will not throw it out. “Good morning,” I reply.
He reaches for his glass of grapefruit juice, shuffling through the morning paper I bring in off the front step every morning and set on the counter by his glass, and while he reads, he tells me what is on his mind. “You slept on the couch again last night,” he says without concern; a statement.
“Yes, I’m sorry,” I offer apologetically. “I guess it’s just that time of year again.”
He nods and reaches for a piece of toast with quince jelly, spread thin the way he likes it. “Guess we ought to paint our bedroom grey,” he says, but there is a quick smile that lingers after he has glanced at me to speak. I can’t help laughing at this private joke we have between us. Grey is a reference to cave-like walls. Our theory is that with the crispness of the autumn air I revert to basic instincts; attempt to hibernate and eat more than I normally do to add a layer of fat for winter. Good genes prevent the latter; a family that demands my time precludes escaping into sleep.
William, having finished juice and reading simultaneously, tells me of a meeting late in his day but that he should still be home by seven, picks up his briefcase and kisses me goodbye. It’s not the distracted goodbye kiss husbands and wives get used to after being married for a while; it’s more as if a conscious effort is being made to remember. I think that he would be more likely to walk out the front door in the paisley tie than forget to kiss me; it’s so planned and sterile.

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WRITING: GENRE

We all know what we are best at writing, but it does not always seem to match what we choose as readers. My favorite reading is probably murder mysteries, preferably true or based upon real life crimes. I have attempted to write in this genre, but am simply no good at it. In so saying, I’ll share with you one of my best ideas for the perfect murder, since this idea will never be published nor committed by me.

The Harried Housewife’s High Cholesterol Diet Plan for Murder. A woman who has become quite fed up with her husband’s lack of attention and respect for her value as a homemaker, manages to both maintain her position despite his several affairs and accomplish her goal—cashing in on his life insurance policy by keeping his meals on an egg-a-day plan along with plenty of rare beef and pure wholesome butter.

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WRITING: Blogging

I know that some of you out there share a desire to write, and have already received a gentle push to set up a weblog, but I’d like to stress again how important it is to write a little bit every day, and how very much the blog concept has helped me to accomplish this. We’re all busy. We don’t have time to sit down and write. We intend to…but life sticks too many obstacles in our path like our job, housework, homework, partying…etc.

This service, Typepad, is one that charges a small monthly fee, but it offers a professional format and loads of flexibility. There are other services that are free (for now, anyway) and are plenty suitable for your purposes—to write. I am amazed that I have been able to produce something daily for two weeks now. Yes, there’s always the ability to simply open a Word Document and write into that—I have one called “Tidbits” which I usually enter posts in first, as I am doing now—to cut and paste into Spinning. But without the one extra step of requiring that Spinning be updated, I doubt that I would be writing on such a regular basis. It need not even be stories; just your thoughts will do, and then they need not be posted, or posted to a private log as I have learned to do. Although if you are really serious about being published some day, you’ll have to get over being shy about having others read your work—that’s the idea after all, isn’t it? If copyrights are your concern, it is easy enough to check this out with the U.S. government copyright office or other legal websites, but basically once the idea is written down, it’s yours. And, if someone happens to lift your stuff, there’s always the good old American option of suing. You’d probably make more money this way than what the guy got paid by the publisher!

Please, do yourself a favor and try it. It WILL help you discipline yourself to write. (Hop on bandwagon yelling “Writers Unite!”)

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STORIES: A Seasonal Life (Beginning, Part I)

It is early morning in October. The sunrise fights the moon for my attention as I sit upon my back step in my robe and practice dying; exhaling in a long stream of white smoke that blots out treetops as it drifts across the horizon. For me this is the only peaceful time of day, so I linger to enjoy it; drain the last life-giving drop of coffee from my cup. In nature’s daily battle, the sun again has won. Now it touches the trees to turn on Christmas lights of autumn orange, yellow and flame. I rise as the sun, but I am not. In this life I am the moon, and like it, will not completely fade away when facing the blazing power that threatens me. I take one last full deep breath of morning, and go inside my house to wake the others.

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WRITING: Time Involved

Just got back from Spanish II, thinking as I was driving of something that was said and applying it to those who love to write. “¿Qué harás esta fin de la semana?” – “What will you do this weekend?” I was asked, as soltera uno dos (bachelorette #2) in a sort of Spanish class version of the old Dating Game show (the professor is an incredibly energetic, upbeat, fun, and innovative instructor whom we all dearly love.) “Escribiré en mi computadora,” I replied. – “Write on my computer.” Needless to say, I was quickly pronounced aburrida – boring.

Well, maybe I am. Maybe the need to hold a conversation with myself and provide a transcript no less is not the average person’s idea of what to do with free time, but for someone who truly loves to write, it is just as fulfilling and necessary-to-the-soul a thing to do as any other enjoyable activity. I believe many of the folks who do like to write like not only the creativity it employs, but the physical process of it as well. For instance, I love the pencil. With a nice sharp and true point, I filled four spiral notebooks with algebraic computations last year. I used to draw with a normal Ticonderoga No. 2—perfect for shadowing faces and feathering strands of hair. Now used to the keyboard after a long hiatus, it too has become an extension of me. Thoughts flow, it seems, directly from the mind to the fingers, are seen by the eyes as they appear on the screen, then are processed by one part of the brain and stored in yet another. A circle of energy that keeps a writer going.

So I wasn’t the bachelor’s (portrayed by a female student since we have the guys severely outnumbered in this class) choice. Luckily, I wasn’t going to take the rose anyway.

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INTERACTIVE FICTION: Element of Adventure

“Photopia” has proven not to be my sole exploration of Interactive Fiction. After messing around a bit (and there’s a definite relationship between how we deal with real life situations and how we deal in our IF interplay, and messing around and messing up is part of both) with others such as “Schrapnel”, “Metamorphosis”, “Cave Adventure”, among others, I tried Muse: “An Autumn Romance” (Note, I’m too lazy to go back and ensure that I have the proper titles here, but IF fans will recognize them I am sure). I’m not drawn to Sci Fi or Fantasy—although Bizarre is good—so I decided to try to ascertain if the element of surrealistic adventure was a necessary part of the story. I’m not big on Romance either, but it seemed to offer a different sort of adventure, and I knew that it would not have been produced had it not had potential readership.

“Autumn Romance” does indeed create within the player a sense of involvement, and offers the same level of frustration, sense of accomplishment and interest of a more action-packed adventure. I have not gotten very far into it as yet (hey, I’m new at this!) but it has piqued my interest enough to go back again to this story as well as others out there. As with all IF, several ventures are necessary to complete the story, and as noted in a previous post, necessary to also come back with some understanding of the story line and structure. IF will, I’m sure, be an ongoing study, and an enjoyable one at that.

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WRITING: POV and Technique

In my most recent writings, it seems that I approach the story from the first person point of view. Odd, because this has often been a more difficult manner for me as it becomes a more intimate entering of the character. Without remaining just “me” I must draw on my own feelings and experience but in situations that are not reality based in my own life. I also have never been a great fan of reading first person stories as I become quite stubborn about accepting what is being read as part of my own reality. Lately however, after reading highly skilled writers such as Munro, Olsen, Borges, Allison among others, something has made me more receptive to this element.

In “A Seasonal Life” the opening sentence was set down within minutes of a personal experience—one of those times when poetry comes through the mind when mindlessly looking about at the world around you. A couple days later, I went back and added what became the first paragraph in what seemed a natural flow of words. Spurred on again, the narrator’s story began, and I’ve no idea who she is.

I am attempting a technique in switching the narrator’s thoughts from direct mental conversation with her family members on her feelings, to a description to the reader of what is currently going on—a mental transition from reverie to action. It came naturally when the narrator approaches her oldest son, Christopher, and became a more conscious writing effort from there. I’m not sure if it works, and would appreciate any comments as to whether it is effective or merely confusing.

Reading is definitely a stirring up of the mind to want to write. Sort of like having a conversation with a friend and thinking, “Well, you wanna know what happened to me…”

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BLOGGING: Fall Cleaning

If you are looking for a particular entry and notice it missing from the archives, it has either been deleted or moved out of this blog. If you absolutely had to see it again for reasearch purposes (Yeah, right!) you may request it via my e-mail.

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STORIES: A Seasonal Life (Continuation, Part II)

First William, who doesn’t like alarm clocks except the one I have set within myself. My fingers gently touch his shoulder, and as he wakens, he groans and reaches for the glass of water I have brought him. He’ll quench his thirst half raised upon an elbow, half alert to the fact that I am here. He extends the empty glass out trusting me to take it, opens his eyes and mumbles recognition. No morning kiss—that is scheduled later in our routine, when he leaves the house and heads out to his life.
Then on to Christopher, my firstborn golden child. Even in my womb you held such power. You accomplished with your being what I could not with love, and brought us all together. You looked like your father; and lucky too—a boy. Your tiny penis was the key that unlocked his heart and laid out your future. But never say this to your sister. She is so sensitive these days. I stand and watch you sleep a minute longer, feeling selfish for taking from your life this one more moment but leave you dreaming through it while I satisfy myself. This time next year I’ll pass by your empty room. Who will wake you at M.I.T.? I hesitate for just three seconds more and call out softly. “Christopher, it’s time to rise,” I say. He smiles before his eyes are even open to connect with mine. I smile and turn, padding down the hall to rouse the next.
Josh, the baby, now nine and laughing all the time. Even as you sleep you lie there grinning. Your body splayed out beneath the covers, a show of confidence and faith in your world and us. Or are you running in your dreams through the fields across the road, as you often do as often as you can. Your dusty dirt-brown hair is ruffled by the pillow, as if you still were playing in the summer breeze. You idolize your older brother, unaware yet of the difference between you. You believe it is because he’s older that your father gives him your portion of his time. I make up what I can, but you well know that girls just can’t throw balls. Too sweet to tell me, you sigh and let me play; roll your eyes when for the dozenth time I say I’m sorry as the ball lands and rolls ten feet before you. In innocence you ignore Sarah’s exasperated snort. To you she is impatient. She is, but you do not as yet know why. In this room I can walk up to the bedside, and I lean and kiss him loudly on his forehead. The only one who still allows this morning ritual; he wakes and throws his arms around my neck to scream “Good morning!” in my ear.
And lastly, Sarah. So much like me it hurts to think what life could do to you. Emotional (a woman), moody (typical, as well), but mostly compromising in your wisdom, but that one trait unrecognized by William, who has never sought the reason in eighteen years in me. A good provider, good natured and agreeable is what he offers us, and that is livable. But you, my daughter, who has no reason to feel the guilt I do, are unconvinced you couldn’t try for more. You fully understand the family order, but rebel against it and resent me all the more somehow for not fixing it before you were born. My Sarah, your natural loving disposition slowly being sidetracked by emerging independence that I have to let you win. I walk across the purple carpet she herself had chosen, and three feet from her side I stop and catch my breath. Beautiful in the morning sunlight as she lays there, an astounding combination of the best we had to give. “Sarah, honey, time to get up,” I say, knowing she is already halfway awake and waiting for me. She opens her eyes and looks straight into mine; a half smile and a whispered, “Hi.”
They come down in the order they were awakened. Come into the kitchen where I have their juices, vitamins, cereals and toasts laid out according to their choices.

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WRITING: Reading

Just witnessed an amazing example of reader input changing a story that goes far and beyond even the freedom of interactive fiction. A fellow student’s interpretation of Photopia was so vivid and organized that even if I didn’t agree with her, it demonstrated the point of what she had seen as the meaning being so wildly different from most, that it gave Photopia a totally new theme. As well as her changing the story for herself, it also will no doubt affect my future reading of it and change it as well. It just blew me away.

On a more personal level, her ability to get involved within the text made me blush with shame. When we were discussing Octavio Paz’s The Wave, I wondered at this same student’s seeming discomfort of the story and acceptance of the wave as an entity, while I blithely took the writer at his word. This tells me something about how critical the personality of the reader is to a reading. While she sought meaning in stories and was excited by making sense of things, I was more willing to accept at face value, without seeking clues within every sign or symbol. At an age where I should enter “What is the Meaning of Life, Part II” I seem to be oblivious to much that should require further exploration.

Needless to say, this revelation, although a great one, has done nothing to improve my self image nor my mood.

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WRITING: Poetic License

Perhaps not covered by poetic license, but just in the mean-spiritedness of choosing to piss off those who would be dictionarily restricted in word useage, I offer the following:

Kaleidoscoped – A visual scene that has become bright and fragmented, as through a kaleidoscope or with the use of LSD

Twenty-two onety-one – 2211

Unecstatic – Not ecstatic anymore, coming down from euphoria

Gestural – An action word to describe a noun, such as a gestural habit.

Frustrateable – Able to be frustrated, probably rather easily

Psychotica – Range of emotional symptoms and problems.

Dictionarily – By the book

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Literature: Character Development

Just finished rereading Tillie Olsen’s “I Stand Here Ironing” (Charters, The Story and Its Writer, p. 1165). The last time I read this was over a year ago and I was struck again in this reading with the poignant portrayal of a mother and her daughter, written in the POV of the mother. The story follows a time line very short in duration as a mother—while ironing—reflects upon the emotional problems of the eldest of her five children, Emily, brought to her attention now by a teacher’s request to consult. The narrative is composed of fragments of their lives as recalled by the mother and while it tells us much about their background and how they are led to be where they are for this short duration, it tells us so much more about the personality of the mother in a much more insightful manner. While she is trying to explain her upbringing of Emily and her awareness of potential effect, it is how she recalls and tells the story that gives us a deeper understanding of her. It seems as if in her attempts to understand and justify, we get the feeling that she doesn’t understand at all. While she is experiencing guilt and sadness, she still seems to miss the point that she perhaps didn’t do all she could have. For example, she rather distantly describes her attempt to help guide Emily into doing things in which she excels: “I think I said once: ‘Why don’t you do something like this in the school amateur show?’ One morning she phoned me at work, hardly understandable through the weeping: ‘Mother, I did it. I won, I won; they gave me first prize; they clapped and clapped and wouldn’t let me go.’ ” But the mother doesn’t mention a sense of pride, or why she hadn’t taken the time to be there herself to watch Emily. With encouragement and acclaim from others, performing could become a turning point and save Emily’s fragile ego, but as her mother explains to us, “but without money or knowing how, what does one do? We have left it all to her.” In a summation of Emily to date, the mother seems to understand how it all has affected her daughter, and her part in it, but decides, “Let her be. So all that is in her will not bloom—but in how many does it? There is still enough left to live by.” These words are more telling to me than the final lines which reflect the same weak attempt to proclaim her motherly love that threads through the narration.
This story was not required reading in either of my classes, but if you can find it, I’d suggest you check it out—it’s well worth the read.

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WRITING: Plagiarism

Uh-oh. It looks like a creative mood has set it. Mr. E must prepare himself to read through the bs on that paper after all.

In writing another story beginning this morning and posting it below (Can’t help it, ideas must be written before they are lost, no matter how scattered and unintentional), one thing kept bothering me for the half hour it took to coalesce. The idea for the story and the title is an obvious offspring from previous ideas posted here on method of writing. But it is just as obvious to me that the title was withdrawn from memory of “The Things They Carried”, a well-known short story by Tim O’Brien which I read last year in Creative Writing.

Just as obviously, I would never, if ever completed, submit this story without changing the title, but it does reflect the constant nagging doubts I have as a writer that I am simply lifting ideas from what I’ve read and so, inadvertently plagiarizing.

There are certainly millions of ways to put words together to come up with different combinations that result in different thoughts. More so than for instance, the possible number combinations using only six out of the forty-four lottery numbers to come up with a winner.

I suppose we have to go with the flow and hope to pick up on these connections before we make fools of ourselves, but I would think that it still adds a burden to the mind of any writer.

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STORIES: Things We Scribble

John Mandroski picked up the small yellow sticky-note off the kitchen floor. “Carl – 9:00,” he read, clearly written in his wife’s flowing script. He stuck it on his briefcase with the intention of putting it on Anne’s desk in their computer den where he headed to check his e-mails quickly before she herself returned home.

“How was your day, Hon?” Anne asked him as they bustled around each other filling pots and turning on stove burners in their interior decorator-designed especially for the modern busy working-couple kitchen. After fifteen years of marriage, they had worked into a perfect rhythm of sharing the meal preparation and other household chores that simulated the choreography of a Broadway musical.

“Okay,” John answered, “although I don’t think we got the Conway contract locked up as I had hoped. Hope your day was better than mine.” Unconsciously he ran a hand through his thick greying hair in a gestural habit that Anne learned to recognize as worry but this time went unnoticed.

“Same as always,” she replied. “Tied to my computer chair for seven and a half hours—eight if you count lunch. The only exercise I got today was walking into the office, walking out, and a quick run through the supermarket for these steaks.”

John found the yellow note still stuck to his briefcase as he set it on his desk the next morning in work. He glanced quickly at his watch: 8:20 a.m. He called Anne at the office, let the phone ring several times, then hung up quickly as his boss walked in.

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