LITERATURE: April Fool’s Day

Just about finished with this, but wanted to write down some notes on both story and technique as well as content.

As I’ve said, Josip Novakovich’s style is crisp to the point of bluntness in bringing Ivan Dolinar from youth to middle age with many twists and turns along the way.  Horrors of war, an overall sense of fate and expectations of never achieving greatness all have been related in a very matter-of-fact manner, tinged with dark humor along the lines of "I’ve been down so long it looks like up to me."  Though Ivan has dreams, he is formed by both the old tradition ways of the Balkans and the wars that plague them through the years. 

Then I was surprised by a particularly poetic voice that took some time with the story and coincided with Ivan’s changes in life.  Further reading brought some slapstick sex into Ivan’s life, and then, in a dramatic turn of both voice and event, things are seen through Ivan’s eyes in a more philosophical and yet appreciatively real frame of mind when Ivan dies. 

Novakovich gives us an amazing journey through the process of death, from the moment Ivan is discovered by his wife unresponsive in his bed through his lonely peace as he lays in his grave.  Here we get more imagery and feeling of the character and his surroundings than we have ever been given before, even back to his childhood as his funeral cortege makes its way to the cemetary.  I would think that Novakovich is using the narrative voice to follow the mood and changes in Ivan’s life in a way I haven’t noticed in fiction before, except perhaps such as in McCarthy’s use of sentence structure, length and imagery to establish pace and drama.  Or maybe I’m just becoming more aware of techniques as I read.

Very interesting execution of a very unusual situation.  I’m thinking that this lends itself beautifully to a new media presentation, even if just to the traditional film event.

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REALITY: Value

What is the meaning of sunshine, green grass and flowers?  What do they cost in a life?  Taking stock of all, where do they sit in the grand portfolio–are they up there on top with the rugs and the couches and paintings and twenty shares of Microsoft bought back in ’97? 

What is the cost of a day not well spent?  What is the value of children not taught?  What is the right of an ungrateful mind to sit inside someone’s head.

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TECHNOLOGY: Reconstruction

Have one more pc up and running for the shop, although I haven’t yet tried to save the data from the dead main drive I’ve taken out.  I have this one up to Windows 98, although it’s thoroughly confused because the info on the drive is from another system and it’s a little upset about this heart transplant.  I’m back to picking bits of driver information off of one of the other pc’s or installation disks to get it back on track, wanting to get it all properly set up before I ask it to salvage data from the two other drives.

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REALITY: Multitasking Life

Last evening I noticed a flutter at the feeder and thought it to be a very hungry bird that tried to get the seeds from inside the feeder out of reach.  He hustled back and forth a while and then he stopped.  I realized his greedy little head was stuck inside. 

I do not like quick moving jumping at me kind of things.  But I was, I saw, the little sparrow’s only hope.  I went over to the feeder, speaking softly to him since he could not see me and lifted the top and slid the plexiglass partition up.  It took a moment for him to realize that he was free; it took a moment for me to realize he wasn’t dead.  He roused himself from flattened form and flew away.

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WRITING: Metaphor

Long ago I walked into a garden, greeted by a blur of colored jewels laid out on lush velvet shades of greenery, entranced by perfumed air, I stopped a while.  Wandering to marvel at the details of a pleated petal skirt around a yellow powder puff of spawning pollen, I’d quite forgotten time, and followed bees and butterflies around to flirt with all that drew us to the transient beauty of a chosen moment. 

Looking up I saw a glow of crimson and gold among the tattered green that spattered September’s sky. Within another moment crystal flakes cried down to lay a clean white carpet at my feet that slowed me with its softly swirling ever changing mood.  I reach the gate and find it open, bidding me walk through and yet I pause, reluctant.  One long look back, the buds about to burst in Spring, and I must leave.

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PEOPLE: Thoroughly Modern Millie

A great big Happy Birthday to Millie at My Mom’s Blog–she turned 80 today and is as active and interesting a blogger as ever there be!

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REALITY: Me vs. The Big Guys

Oh I do love small victories, and this one turned into a big one for lotsa little folk like me.

A couple years ago I was a payment behind on my SBC yellow page advertising for the frameshop.  I usually paid three to six months in advance at a time, but often just the $33 monthly charge if times were slim.  A small retail business is a feast or famine situation, and if I took in a lot I’d sit down and catch up all the bills if they had gotten a month or two behind, and pay in advance if possible. 

SBC hit me with a $25 late fee on a single $33 monthly payment.  I sent them $33.  The next month, having applied the payment first to their late fee with the balance of $8 towards the past due, they hit me again with another $25 fee and despite phone calls, they racked up $100 late fee charges.  This, even when I sent the final four months’ advertising charges in advance to pay in full the contract balance.  This, when two letters stating that a $25 late fee was most likely usury and quite illegal, and that I had no intention of ever paying this.  Nevertheless, they kept billing me for the $100 (which they showed as advertising charges, having paid their own fees first), and only when the annual contract was up for renewal and I refused to sign did they magically wipe out the charges. 

Yesterday I received notice as a possible participant in a class action suit against SBC Yellow Page Advertising to the tune of close to $4,000,000 and a ruling against the company meaning they will have to pay this out (in most cases, $.50 on the $1.00 credit or up to 78% of charges paid as credited to your advertising account).  That’s a lot of $25 late fees people paid.  Me, I get nothing because I refused to ever pay them and when they wanted my continued business, they waived the unpaid fees to clean the slate.

I’m not a fighter, will go a mile out of my way to avoid argument.  But I stand firm on grounds of principle, and have been known to spend a day in small claims court to win my rights.  I took great pleasure once in allowing an accountant who overcharged me after filing a late tax return (his fault) and getting me in dutch with the IRS because he told me I’d owe nothing more then I got hit with several thousand dollars owed.  He wanted his last $75.00 (I’d paid him $75 more than he’d estimated already.)  He had a lawyer spend the day there with him (at what hourly fee?).  I only brought a book to read.  At the end of the day, I walked out owing nothing, but finished the novel just in time to go before the judge. 

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REALITY: Memory Two Lane Highway

From the north hills country to the shore, spots along the way I’ve been before.  Route 8 south, first exit down the Rod & Gun Club, next where Louis lived–he’s now married and in Virginia.  Next one down my father-in-law, the small stone church where Jim and I were married and down the next where at the reception we danced just once together.  His brother lives off of the next exit, a couple more my former eye doctor.  Pat from Tennessee had fathers off the next three exits, Oxford, Beacon Falls and Seymour.  The hospital in Derby where I was born and where my mother last was taken when she fell.  Then the cemetary where three generations of my family lay, the next, my childhood home, my dad’s.  And the the schools and church and a decade of my life.  Another five years spent driving off the next exit across the river to an office upstairs from the factory where my father worked as foreman, now it’s flatlands that the fire left behind from the explosion.  The next exit was a regular routine with my mother and the doctors, a few years later up the hill to the home where I sat with her when she died.  Two exits up my oldest sister lived for years, the one who pulled up roots and moved to Sarasota.  Two exits more my other sister, soon she will be moving several exits back.  We pick up the Merritt Parkway then I-95.  Past the largest mall where I shopped several times a week, now very much the smallest.  Then I smell the salt air of the ocean.  We pull into the parking lot of Jimmy’s for whole-belly clams.  I cruised the lot of Jimmy’s as a teen, but Jimmy’s wasn’t here–it has been moved.  And Savin Rock the rides and games are gone–but Savin Rock itself is there, though I had never noticed it in all the years I walked the beach.  He goes off to see the classic cars on cruise night–a different kind of cruise night then I remember; Pat at the wheel with two guys trying to pick us up while I slurped two dozen raw clams off their home plates before I joined the conversation.  I take off my shoes and feel the sand and shattered shells grab at my toes.  Stare down the gulls who’ve come to see the people as their feeders.  Low tide never bothered me before, but worse than seaweed washes, wets the sand.  And though I feel a stong tie to the ocean, I cannot, maybe being from the north now, make myself go in.

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WRITING: Back to my Roots

Sometimes flowers, grasses, weeds and even an occasional errant tomato will grow from seeds dropped in the native soil by the mother plant, defying tiller, birds and wind to grab and claim its little plot of earth while we move on.

What makes us think that time is gone forever when man himself can bring it back in mind and memory and motion pictures.  We are such children in our comprehension of the space and merely move within it.  While I am here I also am what I was there so very long ago.

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REALITY: Nature Up Close

Well that was kind of neat.  We were just sitting out back after a lovely pork roast and gravy dinner (done on the grill) and admiring the coral pink and aqua sky of sunset that slowly faded to colorless dusk.  Noticing movement to my left on the porch I looked down and there’s a young raccoon coming right up to me.  I of course let out a small scream and he looked up at me, looked at Jim, turned tail and ran.

An hour earlier I talked to a lady hummingbird outside the window over the kitchen sink as I washed the dinner dishes.  You see, she isn’t afraid of me, and lately the male has been chasing her from the feeder I have stuck in the flower box.  If I keep talking to her, the male, who doesn’t trust me the way the female does, won’t bother her. 

Gawrsh, I feel like Mother Nature.

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TECHNOLOGY: C-D-E-F…Drives

While I have the new pc running perfectly with a 40 gig hard drive, a 1.8 AMD Duron CPU, its own Win XP o/s and an unbelievable 1280 mg memory, I’m juggling three hard drives to come up with one (or as I’d hoped, two) more pc systems at least running Win 98.  And, I was hoping to still recoup the data off either the dead C drive by hooking a working C into a system and pulling off the backup (I think it’s there anyway!) from a D drive, I think I’m running into problems because the good C drive that had other hardware problems was partitioned into C, E, and F.  Nothing’s booting up right now, and I may need to enter the BIOS setup to reconfigure the CMOS setup to recognize the stranger in its midst, or boot up with a systems floppy and see if that can get it going.  If worse comes to worst, I can first try grabbing the info off by hooking the drives as slaves into the new pc and let Win XP figure it out, or at the very worst, fdisk and format the drives and start from scratch.

I love fiddling with this stuff!

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LITERATURE: On the Table

While I haven’t exactly been keeping up on all fronts with the four to five selections to read or play concurrently as I had intended, I am getting through the pile a bit. 

Now that I’m pretty much done for now with Facade, I am thinking of starting up on Still Life; the pc medium is a good one for me to use to "read" although I do not like to read a lot of text on a screen, so a video story is just my cup of tea.  And, after Facade, I’m anxious to get back into interactive story–at least as much as a prescripted game drama can offer.  Maybe after this, I’ll be more willing to get my butt kicked in Silent Hill 2 again.

April Fool’s Day, my novel selection, should be finished in a couple days, and I’m still trying to get into Didascalicon and Marie Laure-Ryan’s Narrative as Virtual Reality–and I may be biting off more than I can chew here with the two of them together.  So I may upset this plan a little bit and select one out of the two to continue with, and grab up a novel and another lit journal to catch up on next.

And all the while, write, write, try to write.  I thought the Force was with me the other day, but it kinda sorta deserted me thinking that I ought to be able to do it on my own once the ignition key was turned.  But the engine died once I was left to my own power.

Now I’m going to have to hotwire it instead.

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LITERATURE: April Fool’s Day

I’m over halfway through this Josip Novakovich novel and the protagonist Ivan has been through a hell that Novakovich has presented in a colorful and deeply intimate telling of war that reminds me somewhat of Cormac McCarthy’s hard-hitting realism.  What I am beginning to see is a change in Ivan that makes him more aware of what is going on around him, as if the narrative voice, in third person, has a personal caring and empathy with Ivan that in effect, lowers his voice through the bad times that Ivan is going through, slows down the pace to allow us to feel it as well.

At this point in the story, Ivan is finally free of military service, running, hiding, and killing.  He has been affected by what he has seen, especially in the meeting of old college friends who, depending upon which side of the war Ivan has–through no free choice of his own–been serving, reach out to each other in subtle ways.  It is indicative of the Balkan wars that formed out of nationalist patriotism that often made enemies of friends and friends of enemies. 

Ivan is about to become a family man.  With the experience of his own childhood, I am anticipating this road to be as rocky as what has led him to this point in his life so far.

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WRITING: Claptrap

Good morning.  The word for the day is crap.  (I just didn’t want to put it right up there in the title!)

So here I am, all fired up and ready to go, got five great titles for stories:  Eggs for Breakfast, I Would Have Told You, If Only, Or Maybe This, and Gazpacho, and about a page or so on at least two of them, a paragraph or more on the others.  But I think I must dump at least three of them and start anew.  I’m capable of better than what came out of me a month ago.  Reading good stuff, reading bad, discovering new media methods to incorporate into your plain basic book form of text; all have given me ideas. 

And here I sit.  Without the ominous power of a syllabus deadline, I’m useless.  Crap.

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NEW MEDIA: Facade Finale

I have given, as is my wont, blow by blow impressions of Facade in various entries over the past week rather than in a finish-the-book/game/work of art-then-review-it manner that is more customarily done by the pros.  That alone should prove that I am not a legitimate reviewer of this piece as well as anything on literature or for that matter, life itself.  In the field of new media, I am a babe in the woods, er, field rather.  I am neither literary expert nor technology minded enough to give any sort of expert opinion.  Therefore, with that disclaimer in mind, you can at the very least trust my honesty (though always tinged just a tad with proper etiquette and empathy).

Perhaps driven by five years of end of semester routine, the first question upon finishing–and I would have to say that that is not really a true term here–Facade is whether I will "keep the book or sell it back for cash", in this case, is it worthy of its 800 mgs of hard disk space.  I would say yes, because I will no doubt go back to it in time and study it a bit more.

I have become fascinated with the process, especially after reading the Behind the Facade PDF that explains some of the work behind the piece.  However, as I’ve clearly noted, I don’t really understand how difficult all this is, or if from this point on, once it has been established, it becomes easier and more routine a thing to accomplish.  This of course, refers to the interactivity of the piece where user input is carefully being tracked and spit back out in direction of story.  I would hope that it can become a lot more complex without too much work, and I think basically of the movies and animation efforts of dozens of people drawing cells to produce something like Bambi or Fantasia.  It then becomes well worth any effort.

As a writer, I would have lost interest in the scenario after a couple of plays.  Aside from the lack of response, lack of time for input, or inappropriate responses received, which really belong under technical workings, I was not really into the story of Grace and Trip after the first go-around.  But this was not meant to be a masterpiece of drama; it is all right to start with a single event (marital fighting) and bring in a few clues from the past to dig out and enable the user to manipulate.  The question is where will we go from here. 

A lot of the grumbling I’ve heard over Facade is gamer-based.  This is not truly a "game" but aspires to become interactive drama (somebody said that somewhere, and I silently bow my head in acknowledgement but can’t remember where I read it to give proper credit–probably on the GTA site).  Even I, long-time reader and writer of literature and really new and flaky game-player, still often found myself in Facade with the attitude not of being a friend to Grace and Trip, but a "player" in an action sequence.  I appreciated that neither of these two came after me with a machete and I felt safe enough to goad them a bit and walk freely about without the fear of those horrid things that were after me in Silent Hill 2.

As to the graphics, while the comic strip drawings were well used in their natural advantage of denoting expressions, emotions, etc. in the simplest and clearest manner, this indeed may have worked against the piece where inappropriate reactions such as a scowl when I said something nice but clearly out of the program’s comprehension, and a less revealing but more realistic graphic might have covered this better.  (Scott McCloud’s "less is more"–the further you are away from realism the more obvious you can make something become by its universal element.)

I personally thoroughly enjoyed and learned from my experience with Facade, and am very grateful that people are not only working in this direction, but are willing to share it so freely and be so receptive to user input (unlike Grace and Trip–sorry, had to stick it in there!).  (Actually, there is such an elaborate system of how input is used to bring the story to closure of whichever end and it is extremely interesting to me.) 

I think where this will take me now is to move into writing those damned three stories I’ve been yapping about for the past couple months.  And I think what my plan is is to make the stories complete within themselves, that is, satisfying in a literary nature first, and then work to tie them in and make necessary edits and additions after the stories can stand on their own before I tie them together. 

My thanks again to Andrew Stern and Michael Mateas and their crew for giving me the opportunity to discover, and to Steve at The Great Lettuce Head for pointing out another path.

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